Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset

Detalhes bibliográficos
Ano de defesa: 2017
Autor(a) principal: Munduruca, Rafael Matrone lattes
Orientador(a): Bastos, Marcus Vinicius Fainer
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Tecnologias da Inteligência e Design Digital
Departamento: Faculdade de Ciências Exatas e Tecnologia
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/20020
Resumo: By questioning the place of online interactive music video in digital culture, this research develops from a narrative about the scenarios that favored the invention of the music video, going through the stories of pre-cinema and cinema. After the emergence of the video, hybrid element that constitutes dialogue with several languages, and the development of the so-called video art, the music video establishes itself as one of the possibilities of music enjoyment. His place in television and on the internet is then presented in relation to the transformations of digital culture. From the convergence of the media, the viewer becomes an increasingly active participant, leading the investigation to questions related to the interaction mediated by technological devices, the performance of the users and the interactive narratives. From this perspective, and from the existing critical fortune, the four online interactive works created by Vincent Morisset for Arcade Fire are analyzed. Which are: Neon Bible, Black Mirror, Sprawl II (mountains beyond mountains) e Just a Reflektor