A formação didática no Projeto Mestre, por meio de técnicas teatrais, como constituinte da identidade do professor do ensino superior

• Ano de defesa: 2017
• Autor(a) principal: Catellani, Gabriel Veiga
• Orientador(a): Placco, Vera Maria Nigro de Souza
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Educação: Psicologia da Educação
• Departamento: Faculdade de Educação
• País: Brasil
• Palavras-chave em Português: Teatro na educação; Professores universitários - Formação profissional
• Palavras-chave em Inglês: Drama in education
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA DO ENSINO E DA APRENDIZAGEM
• Link de acesso: https://tede2.pucsp.br/handle/handle/20659

This research is the result of an investigation that started from the search for the understanding of the teaching practice and the implementation of theatrical techniques as support for didactic formation and for the identity constitution of the teacher who teaches in higher education. We studied some of the teachers who taught Didactics for Higher Education in the Master Project, a course that I created more than two decades ago and turned completely to the application of techniques from the Theater in the didactic training of the teacher who teaches in higher education. communication and strategic support in the classroom. For further clarification, this paper brings a chapter devoted entirely to the explanation and conformation of the Master Project, as well as outlines the profile of the teachers and content that the course offers. In-person interviews were conducted with five teachers from the Master Project and later analyzed. The theoretical framework that supports and supports this study starts from the intersection between the importance attributed to the teacher's identity formation (Dubar, 2005), the cognitive, affective and expressive aspects of it (Almeida, 2004), the understanding of how learning happens of this adult teacher (Placco, 2006), as well as the techniques that guide the formation of the actor (Stanislavisky, 1996). The hypothesis that underlies this thesis is: From the point of view of the teachers who teach in the Master Project the Didactic Material for Higher Education - when there is use of the techniques coming from the Theater in the didactic formation of the teachers - these contribute to their identity constitution and for their teaching practice. We conclude that there is a clear influence of what teachers learn from theatrical techniques, and that they apply in the Master Project, in the direction of their constitution as teachers. They recognize themselves as such and, more than that, from participating in the Master Project, they recognize themselves as different