O pecado contemporâneo na obra de Nelson Rodrigues: uma análise das peças Álbum de família, Otto Lara Resende ou Bonitinha, mas ordinária e Toda nudez será castigada

Detalhes bibliográficos
Ano de defesa: 2018
Autor(a) principal: Almeida, Carla Cristine Souza de lattes
Orientador(a): Ponde, Luiz Felipe
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Ciência da Religião
Departamento: Faculdade de Ciências Sociais
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Sin
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/21383
Resumo: This dissertation analyses if narcissism can be considered a contemporary sin and, therefore, creates a category of behavior. In order to answer central questions: who Nelson Rodrigues was and what the importance of his work is for a declining society, if narcissism can be considered a contemporary sin and if the reading of Rodrigues’ plays reveals us a miserable and misfortune human condition, leading us not to live narcissism as a contemporary sin. The hypothesis is while having clarity of the “life as it is”, of its own tragedy, the reading of Nelson Rodrigues’ plays - Álbum de família; Otto Lara Resende ou Bonitinha, mas ordinária; and Toda nudez será castigada – selected for this study, opens the possibility of leaving the suffering behind, and on that account, living with the courage to have a position free of identifications and thus, living a space of desire. The general objective or the background is to identify if in the subjectivity of the contemporary man, amid his anguishes, his peculiar way of acting and living could become a type of contemporary sin, or: “narcissism updated to the 21st century”. And also think that reading Nelson Rodrigues’ plays, there is a possibility of the man to have a life with less narcissistic identifications, freeing himself from such suffering. Three plays are analyzed and other texts can shed a light on a possible exit from this type of behavior. Nobody is free from narcissism, everybody needs a little bit of it to wake up and look in the mirror every day, not count one day less in one’s life, but: get up, work, live, eat, have fun, love, cry, fight. So, this narcissism makes us live our lives because what makes us dull is its excess, the thing that goes with you, without limits, to an abyss without name nor place