Os 300 espartanos de Frank Miller: traço, cor e nankin reinterpretam o mito na pós-modernidade

• Ano de defesa: 2010
• Autor(a) principal: Moura, Elvis Dion Domingues
• Orientador(a): Rahde, Maria Beatriz Furtado
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica do Rio Grande do Sul; Porto Alegre
• Palavras-chave em Português: COMUNICAÇÃO SOCIAL; COMUNICAÇÃO VISUAL; PÓS-MODERNIDADE; IMAGEM; HISTÓRIA EM QUADRINHOS; MILLER, FRANK - CRÍTICA E INTERPRETAÇÃO
• Link de acesso: http://hdl.handle.net/10923/2024

This paper discusses the images of Frank Miller as communication. These images represent a visual language through the narrative on contemporary Comic Books. We can see the visual identification of post-modern in Frank Miller style. The Hermeneutics interpretation reported by John Thompson was the methodology chosen for enable the development of this paper. Initially we talk about the Comic Books and their main features, styles and genres. Evolutive aspects through the decades and productions mode and interpretations. After there are issues theory related to visual communication and modernity. During the classification of the ages of Comic Book history, we talk about other authors of the 80’s that represent the initial visual in the postmodern sequential art. The images of Alan Moore and Neil Gaiman were compared to Frank Miller and the Pop Art are reiterated as a socio-historical context of postmodernity. We refer to Frank Miller’s career in the production of Comic Book and his imagistic contributions. The visuality of Frank Miller is analyzed and interpreted with the Hermeneutics of Thompson revealing multiplicities, hybridization, and appropriation contextualized in the postmodern visuality. This notions mix the work of Frank Miller and the contemporary visual communication. We can see the survival of the mythology on Frank Miller’s visuality and his possibilities of interpretations on visual communication.