Detalhes bibliográficos
| Ano de defesa: |
2015 |
| Autor(a) principal: |
Golin , Luana Martins |
| Orientador(a): |
Nogueira , Paulo Augusto de Souza |
| Banca de defesa: |
Ribeiro, Cláudio de Oliveira,
Renders, Helmut,
Trevisan, Ana Lúcia,
Vássina , Elena |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Metodista de Sao Paulo
|
| Programa de Pós-Graduação: |
Ciencias da Religiao
|
| Departamento: |
Ciencias da Religiao:Programa de Pos Graduacao em Ciencias da Religiao
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Área do conhecimento CNPq: |
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| Link de acesso: |
http://tede.metodista.br/jspui/handle/tede/1687
|
Resumo: |
Dostoevsky creates in his novel The Idiot with Prince Myshkin a character with Christ's attributes. The author always had the Bible by his side, specially the New Testament, from childhood to his death. A theoretical framework is dedicated in the first chapter of this study, which deals with the universe of language. Literary text and biblical literature come from the myth, so that reli-gion and literature stay closer and meet each other. The second chapter shows how Christ and the Gospels are recurring subjects, motives, and images in Dostoevsky works. Biblical literature is in the several major works (to varying extents) of the Russian writer and not only in The Idiot. The third chapter hypothesizes, by means of the novel analysis that Dostoevsky creates a Christ and a Gospel with The Idiot. The thesis is that Dostoevsky build a literary gospel with Myshkin: a mixture of a Russian Christ, divine and human at the same time, but also stupid and quixotic. Literature and the sacred are revealed as a divine presence in the intertextual dynamics between the biblical gospels and The Idiot. Christ manifests Himself in Myshkin actions, showing up his light and beauty by the scenes and structure of the plot that com-pounds the novel, but also in the tragedy of a displaced and antinomian trajectory. The love and compassion take shape and life in the prince presence, in his own emptiness, servant of everyone. |
