Detalhes bibliográficos
| Ano de defesa: |
2014 |
| Autor(a) principal: |
Campos, Rafael de |
| Orientador(a): |
Nogueira, Paulo Augusto de Souza
 |
| Banca de defesa: |
Garcia, Paulo Roberto
,
Sousa, Rodrigo Franklin de |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Metodista de São Paulo
|
| Programa de Pós-Graduação: |
PÓS GRADUAÇÃO EM CIÊNCIAS DA RELIGIÃO
|
| Departamento: |
1. Ciências Sociais e Religião 2. Literatura e Religião no Mundo Bíblico 3. Práxis Religiosa e Socie
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://tede.metodista.br/jspui/handle/tede/297
|
Resumo: |
This dissertation focuses on the micronarrative of The Rich Man and Lazarus in Luke 16. 19-31. The relationship between the two characters in the narrative is inverted, suggesting an ironic tone of the Lukan narrator. The inversion puts them in the same place, Hades, but in different positions, creating a conflict in the narrative. We attempted to observe the reason for this inversion, its role and its impact on the scene in the plot of the narrative and its readers. The relationship between the unifying plot and the episodic plot of the narrative sequence of the parable was examined in orther to discover its motifs. It proved to be a narrative addressing the Pharisees, conveing a social critique in an ironic tone. We attempted to portray this imaginary site of inversion, bringing some images of the Jewish and Greco-Roman imagery from some literary sources, mainly the Dialogue of the Dead, by Lucian of Samosata, a work of the second century (CE). It emerged an intertextuality showing the existence of echoes from the lukan text in the Lucianian text. The steps of the narratology methodology made clear that was we intended to analyse. |
