A arte rupestre no Brasil: questões de transferência e representação da informação como caminho para interpretação

Detalhes bibliográficos
Ano de defesa: 2001
Autor(a) principal: Netto, Carlos Xavier de Azevedo lattes
Orientador(a): Souza, Rosali Fernandez de lattes
Banca de defesa: González de Gómez, Maria Nélida lattes, Pinheiro, Lena Vânia Ribeiro lattes, Beltrão, Maria da Conceição Moraes Coutinho lattes, Seda, Paulo Roberto Gomes lattes
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal do Rio de Janeiro / Instituto Brasileiro de Informação em Ciência e Tecnologia
Programa de Pós-Graduação: Programa de Pós-Graduação em Ciência da Informação
Departamento: Ciência da Informação
País: BR
Palavras-chave em Português:
Área do conhecimento CNPq:
Link de acesso: http://ridi.ibict.br/handle/123456789/684
Resumo: The issue of rock art representation has been preoccupying the archeologists whom discuss this cultural manifestation long ago. This preoccupation is manifested on the registration techniques of the rock panels as well a the forms of communication the information obtained on studies of this phenomenon. The present study aims to discuss the ways of representation the Rock Art utilized by the Brazilian archeologists and if it is possible to establish interpretative relationships since the representations done. Therefore, this study was conceived based on the concepts of the classificatory units of Rock Art in Brazil, which has as principle the function of transference of the observed information between peers of the Brazilian Archeologist community. Filled with the theoretic and methodological subsides of Information Science, as long as this is a information problem, the semiotics fundaments and the representation theory were consulted to handle with the proposed object. It was possible to observe the categorization of this concepts (e.g. analytical, synthetic and interpretative), highlighting the synonymy problems and the polissemia which were identified and that the rock art interpretation is inherent to the ways which the information about this manifestation is represented, confirmed by the category identification of interpretative concepts