Detalhes bibliográficos
Ano de defesa: |
2017 |
Autor(a) principal: |
Pimentel, Ricardo
 |
Orientador(a): |
Migliari, Mirella de Menezes |
Banca de defesa: |
Reis Filho, Paulo de Oliveira,
Santa Cruz, Lúcia Maria Marcellino de,
Couto, Rita de Souza,
Freitas, Sydney Fernandes de |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Escola Superior de Propaganda e Marketing
|
Programa de Pós-Graduação: |
Programa de Mestrado Profissional em Gestão da Economia Criativa
|
Departamento: |
ESPM::Pós-Graduação Stricto Sensu
|
País: |
Brasil
|
Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://tede2.espm.br/handle/tede/348
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Resumo: |
This research gathers data that allow the effective assembly of a program of photographic initiation course taught on cameras installed in smartphones, which will be offered free of charge to participants of one of the events of the Rio Hip Hop movement, called Roda Cultural do Terreirão, which happens monthly in the neighborhood of Recreio dos Bandeirantes, west zone of Rio de Janeiro. The general objective is to preserve the visual memory of this event, through the training of its participants by the referred course, so that they feel motivated to participate in the production of a collaborative image bank, with the the best quality possible, which in turn can be useful as a source of research and materials for artistic and social dissemination, for all audiences linked to the aforementioned movement, especially those that are part of its artistic pillars. Due to the originality of the researched field, the adopted methodology required flexibility and was based on ethnographic research and action research characteristics, without immersing completely in the two, and began by immersing the researcher in the clipping area, in participant observations, where he served as a photographic collaborator of the event since its inauguration in 2015. This step guided the judicious choice of a fixed group of collaborators among Roda's customers, and from that point on, a qualitative research was conducted, with semi-structured interviews with each of the eight selected employees. The data collected were cross - checked with others obtained through documentary research on existing photographic course programs, both online and offline, that served to select contents that were organized in the assembly of a prototype program, which was subsequently tested by the same group, acting at this time as a test group, in a simulation of the first class of the course, duly documented in order to serve as a roadmap for course corrections. This project is part of the educational design line, within the scope of the creative economy and just as its inspiring movement does, seeks to offer education with art, so that in a creative and motivating way it can add to the extraordinary creative potential it already has, in the sense of producing the memory of a young street culture movement, that registers its past pointing to its future |