A intertextualidade em: A pecadora queimada e os anjos harmoniosos, de Clarice Lispector

• Ano de defesa: 2010
• Autor(a) principal: Oliveira, Eneida Gomes Nalini de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade de Franca; Brasil; Pós-Graduação; Programa de Mestrado em Linguística; UNIFRAN
• Palavras-chave em Português: Intertextualidade; Linguística textual; Dialogismo; Clarice Lispector; Teatro; CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
• Link de acesso: https://repositorio.cruzeirodosul.edu.br/handle/123456789/713

This research has as a theme the Intertextuality in The Woman Burned at the Stake and the Harmonious Angels (A Pecadora Queimada e os Anjos Harmoniosos), the only play written and published by Clarice Lispector. This is a study that focuses on Clarice Lispector as a dramatist and the usage of intertextuality and dialogism in her masterpiece. It seems interesting to promote a study about the only Clarice Lispector‟s published play because few articles or books have been published about it. As our aim is to contribute in the literary as well as linguistic area, we sustain our research in the books written by Koch (1991, 1998, 1999, 2002, 2006, 2008), Bakhtin (1981, 1997, 2006) and Gomes (2006 e 2007). We justify our theme not only for its richness and for the study of the Greek tragedies and religious texts (the Bible), but also because of the social-politic criticism that surrounds it.