Filme "A tribo": mudança de paradigma na representação do surdo no cinema

• Ano de defesa: 2017
• Autor(a) principal: CRUZ, Tatiane Monteiro da
• Orientador(a): Magno, Maria Ignês Carlos
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Anhembi Morumbi
• Programa de Pós-Graduação: Programa de Pós-Graduação Mestrado em Comunicação
• Departamento: Universidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto Sensu
• País: Brasil
• Palavras-chave em Português: Comunicação; Língua de sinais
• Palavras-chave em Inglês: Communication; Sign language
• Área do conhecimento CNPq: CIENCIAS HUMANAS
• Resumo em Inglês: This research is a study on the representation of the deaf in the cinema, since A Tribe (2014, by Miroslav Slaboshpitskyi) presents itself as a ruptured film of paradigms. The study arose from the need to expand the knowledge in the area of ​​deafness in articulation with the area of ​​audiovisual communication. Most of the studies on deafness are part of the area of ​​Education and Linguistics, so it is up to the development of new looks from the anthropological and cultural point of view in the audiovisual sector. Comparing The Tribe with other films about the deafness of the 70s and 80s, we understand the discourses built on the deaf representation and the change of perspective that the film The Tribe presents. The film, object of this research, allows an articulation between areas, therefore, it describes the cultural elements of the deaf found in the film and the understanding of the concept of deaf culture; also presents a discussion about the classification of the film as mute and the understanding of the effects caused on the spectator. In addition to bibliographic research, two field surveys were carried out, in an online form. The first survey received 96 responses, while the second, 11 responses. Both researches complement, therefore, the first results in an overview on films in sign languages ​​and the representation of the deaf culture, while the second one is specific about the film The Tribe. Regarding the deaf culture, 63% considered that this culture is not usually presented in the films, allowing a basis for the defense that A Tribe breaks paradigms in the representation of the deaf in the cinema, for presenting a narrative with cultural elements of the deaf , without the theme of the film being linked to deafness and making the sign language something natural, allowing new possibilities for the language film.
• Link de acesso: http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1728

This research is a study on the representation of the deaf in the cinema, since A Tribe (2014, by Miroslav Slaboshpitskyi) presents itself as a ruptured film of paradigms. The study arose from the need to expand the knowledge in the area of ​​deafness in articulation with the area of ​​audiovisual communication. Most of the studies on deafness are part of the area of ​​Education and Linguistics, so it is up to the development of new looks from the anthropological and cultural point of view in the audiovisual sector. Comparing The Tribe with other films about the deafness of the 70s and 80s, we understand the discourses built on the deaf representation and the change of perspective that the film The Tribe presents. The film, object of this research, allows an articulation between areas, therefore, it describes the cultural elements of the deaf found in the film and the understanding of the concept of deaf culture; also presents a discussion about the classification of the film as mute and the understanding of the effects caused on the spectator. In addition to bibliographic research, two field surveys were carried out, in an online form. The first survey received 96 responses, while the second, 11 responses. Both researches complement, therefore, the first results in an overview on films in sign languages ​​and the representation of the deaf culture, while the second one is specific about the film The Tribe. Regarding the deaf culture, 63% considered that this culture is not usually presented in the films, allowing a basis for the defense that A Tribe breaks paradigms in the representation of the deaf in the cinema, for presenting a narrative with cultural elements of the deaf , without the theme of the film being linked to deafness and making the sign language something natural, allowing new possibilities for the language film.