“Ó vós que entrais perdei toda a esperança”. The aesthetics of resistance in Argentinian cinema

Bibliographic Details
Main Author: Graziadei, Neiva Maria Mallmann
Publication Date: 2019
Format: Article
Language: por
Source: Literatura e Autoritarismo
Download full: http://periodicos.ufsm.br/LA/article/view/36238
Summary: This article aims at approaching the concept of resistance as it is portrayed in five movies produced throughout the civil-military dictatorship in Argentina and which took place in the 1970s and 1980s. Despite its ending, this period still causes, in the intellectual and in other Argentinian sectors in general, aesthetic reactions which are contrary to the one followed by the regime. My hypothesis is that the movies, La historia oficial (1985), La noche de los lápices (1986), Garage Olimpo (1999), Kamchatka (2002) and Kóblic (2016) which will be analysed throughout the text, result from an open and very present memory in the Argentinian movie industry, in a clear attitude of resistance not only to the dictatorship itself but also to the attempts to erase memories.
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spelling “Ó vós que entrais perdei toda a esperança”. The aesthetics of resistance in Argentinian cinema“Ó vós que entrais perdei toda a esperança.” A estética da resistência no cinema argentinoResistanceMemoryFilmographyDictatorshipArgentinaResistênciaMemóriaFilmografiaDitaduraArgentinaThis article aims at approaching the concept of resistance as it is portrayed in five movies produced throughout the civil-military dictatorship in Argentina and which took place in the 1970s and 1980s. Despite its ending, this period still causes, in the intellectual and in other Argentinian sectors in general, aesthetic reactions which are contrary to the one followed by the regime. My hypothesis is that the movies, La historia oficial (1985), La noche de los lápices (1986), Garage Olimpo (1999), Kamchatka (2002) and Kóblic (2016) which will be analysed throughout the text, result from an open and very present memory in the Argentinian movie industry, in a clear attitude of resistance not only to the dictatorship itself but also to the attempts to erase memories.Este artigo pretende abordar o conceito de resistência em cinco filmes produzidos durante a última ditadura cívico-militar na Argentina ocorrida entre os anos de 1970 e 1980. Não obstante o final dessa, o período ainda provoca, no meio intelectual e restante dos argentinos em geral, reações estéticas contrárias àquele regime. Minha hipótese é de que os filmes, La historia oficial (1985) La noche de los lápices (1986), Garage Olimpo (1999), Kamchatka (2002) e Kóblic (2016) aqui analisados, resultam de uma memória aberta e muito presente na filmografia argentina, numa clara atitude de resistência à ditadura como também às tentativas de apagamento da memória.Universidade Federal de Santa Maria2019-03-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/3623810.5902/1679849X36238Literatura e Autoritarismo; n. 33 (2019): Literatura e Autoritarismo: Literatura e Cinema de Resistência1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/36238/pdfCopyright (c) 2019 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessGraziadei, Neiva Maria Mallmann2019-11-13T16:38:09Zoai:ojs.pkp.sfu.ca:article/36238Revistahttp://periodicos.ufsm.br/index.php/LA/PUBhttp://periodicos.ufsm.br/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2019-11-13T16:38:09Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv “Ó vós que entrais perdei toda a esperança”. The aesthetics of resistance in Argentinian cinema
“Ó vós que entrais perdei toda a esperança.” A estética da resistência no cinema argentino
title “Ó vós que entrais perdei toda a esperança”. The aesthetics of resistance in Argentinian cinema
spellingShingle “Ó vós que entrais perdei toda a esperança”. The aesthetics of resistance in Argentinian cinema
Graziadei, Neiva Maria Mallmann
Resistance
Memory
Filmography
Dictatorship
Argentina
Resistência
Memória
Filmografia
Ditadura
Argentina
title_short “Ó vós que entrais perdei toda a esperança”. The aesthetics of resistance in Argentinian cinema
title_full “Ó vós que entrais perdei toda a esperança”. The aesthetics of resistance in Argentinian cinema
title_fullStr “Ó vós que entrais perdei toda a esperança”. The aesthetics of resistance in Argentinian cinema
title_full_unstemmed “Ó vós que entrais perdei toda a esperança”. The aesthetics of resistance in Argentinian cinema
title_sort “Ó vós que entrais perdei toda a esperança”. The aesthetics of resistance in Argentinian cinema
author Graziadei, Neiva Maria Mallmann
author_facet Graziadei, Neiva Maria Mallmann
author_role author
dc.contributor.author.fl_str_mv Graziadei, Neiva Maria Mallmann
dc.subject.por.fl_str_mv Resistance
Memory
Filmography
Dictatorship
Argentina
Resistência
Memória
Filmografia
Ditadura
Argentina
topic Resistance
Memory
Filmography
Dictatorship
Argentina
Resistência
Memória
Filmografia
Ditadura
Argentina
description This article aims at approaching the concept of resistance as it is portrayed in five movies produced throughout the civil-military dictatorship in Argentina and which took place in the 1970s and 1980s. Despite its ending, this period still causes, in the intellectual and in other Argentinian sectors in general, aesthetic reactions which are contrary to the one followed by the regime. My hypothesis is that the movies, La historia oficial (1985), La noche de los lápices (1986), Garage Olimpo (1999), Kamchatka (2002) and Kóblic (2016) which will be analysed throughout the text, result from an open and very present memory in the Argentinian movie industry, in a clear attitude of resistance not only to the dictatorship itself but also to the attempts to erase memories.
publishDate 2019
dc.date.none.fl_str_mv 2019-03-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/LA/article/view/36238
10.5902/1679849X36238
url http://periodicos.ufsm.br/LA/article/view/36238
identifier_str_mv 10.5902/1679849X36238
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/LA/article/view/36238/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2019 Literatura e Autoritarismo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Literatura e Autoritarismo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Literatura e Autoritarismo; n. 33 (2019): Literatura e Autoritarismo: Literatura e Cinema de Resistência
1679-849X
reponame:Literatura e Autoritarismo
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Literatura e Autoritarismo
collection Literatura e Autoritarismo
repository.name.fl_str_mv Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv gla@mail.ufsm.br||jlourique@pq.cnpq.br
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