HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work
Main Author: | |
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Publication Date: | 2020 |
Other Authors: | , , |
Format: | preprint |
Language: | por |
Source: | SciELO Preprints |
Download full: | https://preprints.scielo.org/index.php/scielo/preprint/view/227 |
Summary: | Filmography is the art that facilitates the construction of a connection between theoretical subjects and the practical reality of a determinated situation, through the use of films, cartoons and even series. In children's drawing SpongeBob SquarePants, we perceive a very detailed and rich business environment for study, so one wonders how the idea of subjectivity and work in SpongeBob is portrayed? This research aimed to verify how the idea of subjectivity and work in a children's drawing is portrayed, well known to people of various age groups. To help this objective, this study adopts the following steps: bibliographic survey on the subjects; specific episode mapping and character analysis of the characters in the drawing. This research is applied, qualitative, abductive, deductive, explanatory, exploratory, descriptive, bibliographic, telematized and Ex Post Fact. With this, coming to the following conclusion, the characters of the film represent human characteristics, being the drawing a critique for society, thus becoming an allegory. |
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HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and workVIVE EN UNA PIÑA BAJO EL MAR: subjetividad y trabajoVIVE NUM ABACAXI DEBAIXO DO MAR: a subjetividade e o trabalhofilmologiasubjetividadetrabalhoFilmographySubjectivityJobFilmografíaSubjetividadTrabajoFilmography is the art that facilitates the construction of a connection between theoretical subjects and the practical reality of a determinated situation, through the use of films, cartoons and even series. In children's drawing SpongeBob SquarePants, we perceive a very detailed and rich business environment for study, so one wonders how the idea of subjectivity and work in SpongeBob is portrayed? This research aimed to verify how the idea of subjectivity and work in a children's drawing is portrayed, well known to people of various age groups. To help this objective, this study adopts the following steps: bibliographic survey on the subjects; specific episode mapping and character analysis of the characters in the drawing. This research is applied, qualitative, abductive, deductive, explanatory, exploratory, descriptive, bibliographic, telematized and Ex Post Fact. With this, coming to the following conclusion, the characters of the film represent human characteristics, being the drawing a critique for society, thus becoming an allegory.La filmografía es el arte que facilita la construcción de una conexión entre los temas teóricos y la realidad práctica en una situación dada, utilizando películas, dibujos animados e incluso series. En el dibujo infantil SpongeBob SquarePants, percibimos un entorno empresarial muy detallado y rico para los estudios, así que, uno se pregunta, ¿cómo se retrata la idea de subjetividad y trabajo en SpongeBob? Esta investigación tuvo como objetivo verificar cómo se retrata la idea de subjetividad y trabajo en el dibujo de un niño, bien conocido por personas de diversos grupos de edad. Para ayudar a este objetivo, este estudio adopta los siguientes pasos: encuesta bibliográfica sobre los temas; mapeo de episodios específicos y análisis de las características de los personajes de dibujos animados. Esta investigación es aplicada, cualitativa, abductiva, deductiva, explicativa, exploratoria, descriptiva, bibliográfica, telematizada y ex post facto. Con esto, llegando a la siguiente conclusión, los personajes de la película representan características humanas, siendo el dibujo una crítica para la sociedad, convirtiéndose así en una alegoría.A filmografia é a arte que facilita a construção de uma ligação entre os assuntos teóricos e realidade prática de uma determinada situação, com a utilização de filmes, desenhos animados e até séries. No desenho infantil Bob Esponja Calça Quadrada, percebemos um ambiente empresarial muito detalhado e rico para estudos, assim, questiona-se, de que forma é retratada a ideia de subjetividade e trabalho em Bob Esponja? Esta pesquisa teve o objetivo de verificar como é retratada a ideia de subjetividade e trabalho em um desenho infantil, muito conhecido por pessoas de várias faixas-etária. Para auxiliar esse objetivo, este estudo adota as seguintes etapas: levantamento bibliográfico sobre os assuntos; mapeamento de episódios específico e análise das características dos personagens do desenho. Esta pesquisa é aplicada, qualitativa, abdutiva, dedutiva, explicativa, exploratória, descritiva, bibliográfica, telematizada e Ex Post Facto. Com isso, chegando a seguinte conclusão, os personagens da película representam características humanas, sendo o desenho uma crítica para a sociedade, tornando-se assim, uma alegoria.SciELO PreprintsSciELO PreprintsSciELO Preprints2020-05-14info:eu-repo/semantics/preprintinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://preprints.scielo.org/index.php/scielo/preprint/view/22710.1590/SciELOPreprints.227porhttps://preprints.scielo.org/index.php/scielo/article/view/227/275Copyright (c) 2020 Felipe Oliveira, Alana Silva, Débora Santos, Geazi Fariashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessOliveira, FelipeSilva, AlanaSantos, DéboraFarias, Geazireponame:SciELO Preprintsinstname:SciELOinstacron:SCI2020-04-28T01:19:19Zoai:ops.preprints.scielo.org:preprint/227Servidor de preprintshttps://preprints.scielo.org/index.php/scieloONGhttps://preprints.scielo.org/index.php/scielo/oaiscielo.submission@scielo.orgopendoar:2020-04-28T01:19:19SciELO Preprints - SciELOfalse |
dc.title.none.fl_str_mv |
HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work VIVE EN UNA PIÑA BAJO EL MAR: subjetividad y trabajo VIVE NUM ABACAXI DEBAIXO DO MAR: a subjetividade e o trabalho |
title |
HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work |
spellingShingle |
HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work Oliveira, Felipe filmologia subjetividade trabalho Filmography Subjectivity Job Filmografía Subjetividad Trabajo |
title_short |
HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work |
title_full |
HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work |
title_fullStr |
HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work |
title_full_unstemmed |
HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work |
title_sort |
HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work |
author |
Oliveira, Felipe |
author_facet |
Oliveira, Felipe Silva, Alana Santos, Débora Farias, Geazi |
author_role |
author |
author2 |
Silva, Alana Santos, Débora Farias, Geazi |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Oliveira, Felipe Silva, Alana Santos, Débora Farias, Geazi |
dc.subject.por.fl_str_mv |
filmologia subjetividade trabalho Filmography Subjectivity Job Filmografía Subjetividad Trabajo |
topic |
filmologia subjetividade trabalho Filmography Subjectivity Job Filmografía Subjetividad Trabajo |
description |
Filmography is the art that facilitates the construction of a connection between theoretical subjects and the practical reality of a determinated situation, through the use of films, cartoons and even series. In children's drawing SpongeBob SquarePants, we perceive a very detailed and rich business environment for study, so one wonders how the idea of subjectivity and work in SpongeBob is portrayed? This research aimed to verify how the idea of subjectivity and work in a children's drawing is portrayed, well known to people of various age groups. To help this objective, this study adopts the following steps: bibliographic survey on the subjects; specific episode mapping and character analysis of the characters in the drawing. This research is applied, qualitative, abductive, deductive, explanatory, exploratory, descriptive, bibliographic, telematized and Ex Post Fact. With this, coming to the following conclusion, the characters of the film represent human characteristics, being the drawing a critique for society, thus becoming an allegory. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-05-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/preprint info:eu-repo/semantics/publishedVersion |
format |
preprint |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://preprints.scielo.org/index.php/scielo/preprint/view/227 10.1590/SciELOPreprints.227 |
url |
https://preprints.scielo.org/index.php/scielo/preprint/view/227 |
identifier_str_mv |
10.1590/SciELOPreprints.227 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://preprints.scielo.org/index.php/scielo/article/view/227/275 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Felipe Oliveira, Alana Silva, Débora Santos, Geazi Farias https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Felipe Oliveira, Alana Silva, Débora Santos, Geazi Farias https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
SciELO Preprints SciELO Preprints SciELO Preprints |
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SciELO Preprints SciELO Preprints SciELO Preprints |
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SciELO |
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SCI |
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SciELO Preprints |
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SciELO Preprints |
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SciELO Preprints - SciELO |
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