Self-representation: women's stories and feminist stories

Bibliographic Details
Main Author: Guimarães, Marta Mencarini
Publication Date: 2021
Format: Article
Language: por
Source: Palíndromo (Online)
DOI: 10.5965/2175234613312021231
Download full: https://www.revistas.udesc.br/index.php/palindromo/article/view/16589
Summary: This article proposes reflections on the self-representation of women artists in the exhibitions Women’s Stories: artists until 1900 and Feminist Stories: artists after 2000, exhibitions that took place at the São Paulo Art Museum Assis Chateaubriand (Masp), 2019. The investigation is based on two distinct experiences: the visit to the Museum and the relations established with the texts published in the exibition’s catalogue and anthology, in dialogical constructions between theoreticians Ana Paula Cavalcanti Simioni, Linda Nochlin and Michelle Perrot. Through the research, it was possible to establish the importance of the self-representation as an axiomatic resource which exposes gender conflicts existing in the Arts context, as well as its transforming force which is expressed politically and creates other ways for the agent to show themselves in the word.
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spelling Self-representation: women's stories and feminist storiesAuto-representación: historias de mujeres e historias feministas Autorrepresentação: histórias das mulheres e histórias feministasHistória da arteartistas mulheresfeminismosauto representação.History of ArtWomen artistsFeminismsSelf-representationHistoria del arteMujeres artistasFeminismos Auto-representaciónThis article proposes reflections on the self-representation of women artists in the exhibitions Women’s Stories: artists until 1900 and Feminist Stories: artists after 2000, exhibitions that took place at the São Paulo Art Museum Assis Chateaubriand (Masp), 2019. The investigation is based on two distinct experiences: the visit to the Museum and the relations established with the texts published in the exibition’s catalogue and anthology, in dialogical constructions between theoreticians Ana Paula Cavalcanti Simioni, Linda Nochlin and Michelle Perrot. Through the research, it was possible to establish the importance of the self-representation as an axiomatic resource which exposes gender conflicts existing in the Arts context, as well as its transforming force which is expressed politically and creates other ways for the agent to show themselves in the word.ste artículo propone reflexiones sobre la auto-representación de las mujeres artistas en las exposiciones Historias de la mujer: artistas hasta 1900 e Historias feministas: artistas después de 2000, exposiciones que tuvieron lugar en el Museo de Arte de São Paulo Assis Chateaubriand (Masp), en 2019. La investigación está basada en dos experiencias distintas: la visita al Museo y las relaciones establecidas con los textos publicados en el catálogo de la exposición y su antología, en construcciones dialógicas entre las teóricas Ana Paula Cavalcanti Simioni, Linda Nochlin y Michelle Perrot. Através de la investigación, fue posible establecer la importancia de la autorrepresentación como un recurso axiomático que expone los conflictos de género existentes en el contexto del Arte, así como su fuerza transformadora que se expresa políticamente y crea otras formas para los agentes de mostrase a ellos mismos en el mundo.Este artigo tem como proposta traçar reflexões sobre a autorrepresentação de mulheres artistas nas exposições Histórias das mulheres: artistas até 1900 e Histórias feministas: artistas depois de 2000, mostras que aconteceram no Museu de Arte de São Paulo Assis Chateaubriand (Masp), em 2019. A investigação parte de duas vivências: a visita ao museu e as relações estabelecidas com os textos publicados no catálogo e na antologia, em construções dialógicas entre as teóricas Ana Paula Cavalcanti Simioni, Linda Nochlin e Michelle Perrot. Pela pesquisa foi possível perceber a importância da autorrepresentação como recurso axiomático, que expõe conflitos de gênero no âmbito das artes, e seu poder transformador de expressar-se politicamente, criando representações de si em outras formas de ser e estar no mundo.  Universidade do Estado de Santa Catarina2021-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1658910.5965/2175234613312021231Palíndromo; Vol. 13 No. 31 (2021): Escritas de artista e outras proposições ; 231-247Palíndromo; v. 13 n. 31 (2021): Escritas de artista e outras proposições ; 231-2472175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/16589/13294Copyright (c) 2021 Marta Mencarini Guimarãeshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGuimarães, Marta Mencarini2021-09-01T14:19:50Zoai:ojs.revistas.udesc.br:article/16589Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2021-09-01T14:19:50Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Self-representation: women's stories and feminist stories
Auto-representación: historias de mujeres e historias feministas
Autorrepresentação: histórias das mulheres e histórias feministas
title Self-representation: women's stories and feminist stories
spellingShingle Self-representation: women's stories and feminist stories
Self-representation: women's stories and feminist stories
Guimarães, Marta Mencarini
História da arte
artistas mulheres
feminismos
auto representação.
History of Art
Women artists
Feminisms
Self-representation
Historia del arte
Mujeres artistas
Feminismos
Auto-representación
Guimarães, Marta Mencarini
História da arte
artistas mulheres
feminismos
auto representação.
History of Art
Women artists
Feminisms
Self-representation
Historia del arte
Mujeres artistas
Feminismos
Auto-representación
title_short Self-representation: women's stories and feminist stories
title_full Self-representation: women's stories and feminist stories
title_fullStr Self-representation: women's stories and feminist stories
Self-representation: women's stories and feminist stories
title_full_unstemmed Self-representation: women's stories and feminist stories
Self-representation: women's stories and feminist stories
title_sort Self-representation: women's stories and feminist stories
author Guimarães, Marta Mencarini
author_facet Guimarães, Marta Mencarini
Guimarães, Marta Mencarini
author_role author
dc.contributor.author.fl_str_mv Guimarães, Marta Mencarini
dc.subject.por.fl_str_mv História da arte
artistas mulheres
feminismos
auto representação.
History of Art
Women artists
Feminisms
Self-representation
Historia del arte
Mujeres artistas
Feminismos
Auto-representación
topic História da arte
artistas mulheres
feminismos
auto representação.
History of Art
Women artists
Feminisms
Self-representation
Historia del arte
Mujeres artistas
Feminismos
Auto-representación
description This article proposes reflections on the self-representation of women artists in the exhibitions Women’s Stories: artists until 1900 and Feminist Stories: artists after 2000, exhibitions that took place at the São Paulo Art Museum Assis Chateaubriand (Masp), 2019. The investigation is based on two distinct experiences: the visit to the Museum and the relations established with the texts published in the exibition’s catalogue and anthology, in dialogical constructions between theoreticians Ana Paula Cavalcanti Simioni, Linda Nochlin and Michelle Perrot. Through the research, it was possible to establish the importance of the self-representation as an axiomatic resource which exposes gender conflicts existing in the Arts context, as well as its transforming force which is expressed politically and creates other ways for the agent to show themselves in the word.
publishDate 2021
dc.date.none.fl_str_mv 2021-09-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/16589
10.5965/2175234613312021231
url https://www.revistas.udesc.br/index.php/palindromo/article/view/16589
identifier_str_mv 10.5965/2175234613312021231
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/16589/13294
dc.rights.driver.fl_str_mv Copyright (c) 2021 Marta Mencarini Guimarães
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Marta Mencarini Guimarães
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 13 No. 31 (2021): Escritas de artista e outras proposições ; 231-247
Palíndromo; v. 13 n. 31 (2021): Escritas de artista e outras proposições ; 231-247
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
_version_ 1822182041670647808
dc.identifier.doi.none.fl_str_mv 10.5965/2175234613312021231

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