Giving body to the ideas: Performance as a process of embodiment

Detalhes bibliográficos
Autor(a) principal: Brandão, Ricardo Augusto de Lima
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Orfeu (Florianópolis)
Texto Completo: https://periodicos.udesc.br/index.php/orfeu/article/view/19453
Resumo: This essay aims to discuss performance, not only as transitory and spontaneous dimension, but also wondering about the materials to be performed, as textual dimension (technical, aesthetical, and values), which, as a spectrum, circulates over the imagination of a certain community and it manifests itself during the performance, incorporating itself in the social body. Through authors such as Shelamay and Appadurai, it is possible to understand the performative practice as representations and encenation of these texts, and at the same time, as a way to introject them in subjects, creating unity in those communities, enabling its reproduction.  So, it is possible to imagine the performance as a reincarnation of old values and meanings, which returns, as imaginary reminiscence, walking among the livings, modeling their histories.
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spelling Giving body to the ideas: Performance as a process of embodimentDar corpo às ideias: performance como processo de incorporaçãoperformance musicalmúsica popularideologiacomunidade musicallocalidadeMusical communitiesLocalityIdeologyPopular musicMusical performanceThis essay aims to discuss performance, not only as transitory and spontaneous dimension, but also wondering about the materials to be performed, as textual dimension (technical, aesthetical, and values), which, as a spectrum, circulates over the imagination of a certain community and it manifests itself during the performance, incorporating itself in the social body. Through authors such as Shelamay and Appadurai, it is possible to understand the performative practice as representations and encenation of these texts, and at the same time, as a way to introject them in subjects, creating unity in those communities, enabling its reproduction.  So, it is possible to imagine the performance as a reincarnation of old values and meanings, which returns, as imaginary reminiscence, walking among the livings, modeling their histories.Este ensaio propõe a discussão sobre a performance para além de suas dimensões transitórias e espontâneas, pensando no material a ser performado a partir de sua dimensão textual (técnicas, estéticas e valores), que, como espectro, circula sobre o imaginário de certa comunidade e se manifesta durante a performance, incorporando-se no corpo social. A partir de autores como Shelemay e Appadurai, é possível entender as práticas performativas como representações e encenações destes textos e, ao mesmo tempo, como formas de introjetá-los nos sujeitos, criando unidade dentro de tal comunidade, promovendo assim sua reprodução. Sendo assim, é possível imaginar a performance como uma reencenação de antigos valores e significados que voltam, como reminiscências imaginárias, a andar entre os vivos, moldando suas histórias.Universidade do Estado de Santa Catarina2021-06-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.udesc.br/index.php/orfeu/article/view/1945310.5965/2525530406012021e0006Orfeu; Vol. 6 No. 1 (2021): Artigos Temática Livre - Publicação ContínuaOrfeu; Vol. 6 Núm. 1 (2021): Artigos Temática Livre - Publicação ContínuaOrfeu; v. 6 n. 1 (2021): Artigos Temática Livre - Publicação Contínua2525-5304reponame:Orfeu (Florianópolis)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/orfeu/article/view/19453/12959Copyright (c) 2021 Ricardo Augusto de Lima Brandãoinfo:eu-repo/semantics/openAccessBrandão, Ricardo Augusto de Lima2022-07-05T13:29:50Zoai::article/19453Revistahttps://periodicos.udesc.br/index.php/orfeu/PUBhttps://periodicos.udesc.br/index.php/orfeu/oaiorfeu.ceart@udesc.br | orfeu.ceart@udesc.brhttps://doi.org/10.5965/252553042525-53042525-5304opendoar:2022-07-05T13:29:50Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Giving body to the ideas: Performance as a process of embodiment
Dar corpo às ideias: performance como processo de incorporação
title Giving body to the ideas: Performance as a process of embodiment
spellingShingle Giving body to the ideas: Performance as a process of embodiment
Brandão, Ricardo Augusto de Lima
performance musical
música popular
ideologia
comunidade musical
localidade
Musical communities
Locality
Ideology
Popular music
Musical performance
title_short Giving body to the ideas: Performance as a process of embodiment
title_full Giving body to the ideas: Performance as a process of embodiment
title_fullStr Giving body to the ideas: Performance as a process of embodiment
title_full_unstemmed Giving body to the ideas: Performance as a process of embodiment
title_sort Giving body to the ideas: Performance as a process of embodiment
author Brandão, Ricardo Augusto de Lima
author_facet Brandão, Ricardo Augusto de Lima
author_role author
dc.contributor.author.fl_str_mv Brandão, Ricardo Augusto de Lima
dc.subject.por.fl_str_mv performance musical
música popular
ideologia
comunidade musical
localidade
Musical communities
Locality
Ideology
Popular music
Musical performance
topic performance musical
música popular
ideologia
comunidade musical
localidade
Musical communities
Locality
Ideology
Popular music
Musical performance
description This essay aims to discuss performance, not only as transitory and spontaneous dimension, but also wondering about the materials to be performed, as textual dimension (technical, aesthetical, and values), which, as a spectrum, circulates over the imagination of a certain community and it manifests itself during the performance, incorporating itself in the social body. Through authors such as Shelamay and Appadurai, it is possible to understand the performative practice as representations and encenation of these texts, and at the same time, as a way to introject them in subjects, creating unity in those communities, enabling its reproduction.  So, it is possible to imagine the performance as a reincarnation of old values and meanings, which returns, as imaginary reminiscence, walking among the livings, modeling their histories.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.udesc.br/index.php/orfeu/article/view/19453
10.5965/2525530406012021e0006
url https://periodicos.udesc.br/index.php/orfeu/article/view/19453
identifier_str_mv 10.5965/2525530406012021e0006
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.udesc.br/index.php/orfeu/article/view/19453/12959
dc.rights.driver.fl_str_mv Copyright (c) 2021 Ricardo Augusto de Lima Brandão
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Ricardo Augusto de Lima Brandão
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Orfeu; Vol. 6 No. 1 (2021): Artigos Temática Livre - Publicação Contínua
Orfeu; Vol. 6 Núm. 1 (2021): Artigos Temática Livre - Publicação Contínua
Orfeu; v. 6 n. 1 (2021): Artigos Temática Livre - Publicação Contínua
2525-5304
reponame:Orfeu (Florianópolis)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Orfeu (Florianópolis)
collection Orfeu (Florianópolis)
repository.name.fl_str_mv Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv orfeu.ceart@udesc.br | orfeu.ceart@udesc.br
_version_ 1842260670886707200

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