Giving body to the ideas: Performance as a process of embodiment
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Publication Date: | 2021 |
Format: | Article |
Language: | por |
Source: | Orfeu (Florianópolis) |
Download full: | https://periodicos.udesc.br/index.php/orfeu/article/view/19453 |
Summary: | This essay aims to discuss performance, not only as transitory and spontaneous dimension, but also wondering about the materials to be performed, as textual dimension (technical, aesthetical, and values), which, as a spectrum, circulates over the imagination of a certain community and it manifests itself during the performance, incorporating itself in the social body. Through authors such as Shelamay and Appadurai, it is possible to understand the performative practice as representations and encenation of these texts, and at the same time, as a way to introject them in subjects, creating unity in those communities, enabling its reproduction. So, it is possible to imagine the performance as a reincarnation of old values and meanings, which returns, as imaginary reminiscence, walking among the livings, modeling their histories. |
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Giving body to the ideas: Performance as a process of embodimentDar corpo às ideias: performance como processo de incorporaçãoperformance musicalmúsica popularideologiacomunidade musicallocalidadeMusical communitiesLocalityIdeologyPopular musicMusical performanceThis essay aims to discuss performance, not only as transitory and spontaneous dimension, but also wondering about the materials to be performed, as textual dimension (technical, aesthetical, and values), which, as a spectrum, circulates over the imagination of a certain community and it manifests itself during the performance, incorporating itself in the social body. Through authors such as Shelamay and Appadurai, it is possible to understand the performative practice as representations and encenation of these texts, and at the same time, as a way to introject them in subjects, creating unity in those communities, enabling its reproduction. So, it is possible to imagine the performance as a reincarnation of old values and meanings, which returns, as imaginary reminiscence, walking among the livings, modeling their histories.Este ensaio propõe a discussão sobre a performance para além de suas dimensões transitórias e espontâneas, pensando no material a ser performado a partir de sua dimensão textual (técnicas, estéticas e valores), que, como espectro, circula sobre o imaginário de certa comunidade e se manifesta durante a performance, incorporando-se no corpo social. A partir de autores como Shelemay e Appadurai, é possível entender as práticas performativas como representações e encenações destes textos e, ao mesmo tempo, como formas de introjetá-los nos sujeitos, criando unidade dentro de tal comunidade, promovendo assim sua reprodução. Sendo assim, é possível imaginar a performance como uma reencenação de antigos valores e significados que voltam, como reminiscências imaginárias, a andar entre os vivos, moldando suas histórias.Universidade do Estado de Santa Catarina2021-06-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.udesc.br/index.php/orfeu/article/view/1945310.5965/2525530406012021e0006Orfeu; Vol. 6 No. 1 (2021): Artigos Temática Livre - Publicação ContínuaOrfeu; Vol. 6 Núm. 1 (2021): Artigos Temática Livre - Publicação ContínuaOrfeu; v. 6 n. 1 (2021): Artigos Temática Livre - Publicação Contínua2525-5304reponame:Orfeu (Florianópolis)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/orfeu/article/view/19453/12959Copyright (c) 2021 Ricardo Augusto de Lima Brandãoinfo:eu-repo/semantics/openAccessBrandão, Ricardo Augusto de Lima2022-07-05T13:29:50Zoai::article/19453Revistahttps://periodicos.udesc.br/index.php/orfeu/PUBhttps://periodicos.udesc.br/index.php/orfeu/oaiorfeu.ceart@udesc.br | orfeu.ceart@udesc.brhttps://doi.org/10.5965/252553042525-53042525-5304opendoar:2022-07-05T13:29:50Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Giving body to the ideas: Performance as a process of embodiment Dar corpo às ideias: performance como processo de incorporação |
title |
Giving body to the ideas: Performance as a process of embodiment |
spellingShingle |
Giving body to the ideas: Performance as a process of embodiment Brandão, Ricardo Augusto de Lima performance musical música popular ideologia comunidade musical localidade Musical communities Locality Ideology Popular music Musical performance |
title_short |
Giving body to the ideas: Performance as a process of embodiment |
title_full |
Giving body to the ideas: Performance as a process of embodiment |
title_fullStr |
Giving body to the ideas: Performance as a process of embodiment |
title_full_unstemmed |
Giving body to the ideas: Performance as a process of embodiment |
title_sort |
Giving body to the ideas: Performance as a process of embodiment |
author |
Brandão, Ricardo Augusto de Lima |
author_facet |
Brandão, Ricardo Augusto de Lima |
author_role |
author |
dc.contributor.author.fl_str_mv |
Brandão, Ricardo Augusto de Lima |
dc.subject.por.fl_str_mv |
performance musical música popular ideologia comunidade musical localidade Musical communities Locality Ideology Popular music Musical performance |
topic |
performance musical música popular ideologia comunidade musical localidade Musical communities Locality Ideology Popular music Musical performance |
description |
This essay aims to discuss performance, not only as transitory and spontaneous dimension, but also wondering about the materials to be performed, as textual dimension (technical, aesthetical, and values), which, as a spectrum, circulates over the imagination of a certain community and it manifests itself during the performance, incorporating itself in the social body. Through authors such as Shelamay and Appadurai, it is possible to understand the performative practice as representations and encenation of these texts, and at the same time, as a way to introject them in subjects, creating unity in those communities, enabling its reproduction. So, it is possible to imagine the performance as a reincarnation of old values and meanings, which returns, as imaginary reminiscence, walking among the livings, modeling their histories. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-06-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.udesc.br/index.php/orfeu/article/view/19453 10.5965/2525530406012021e0006 |
url |
https://periodicos.udesc.br/index.php/orfeu/article/view/19453 |
identifier_str_mv |
10.5965/2525530406012021e0006 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.udesc.br/index.php/orfeu/article/view/19453/12959 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Ricardo Augusto de Lima Brandão info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Ricardo Augusto de Lima Brandão |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Orfeu; Vol. 6 No. 1 (2021): Artigos Temática Livre - Publicação Contínua Orfeu; Vol. 6 Núm. 1 (2021): Artigos Temática Livre - Publicação Contínua Orfeu; v. 6 n. 1 (2021): Artigos Temática Livre - Publicação Contínua 2525-5304 reponame:Orfeu (Florianópolis) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Orfeu (Florianópolis) |
collection |
Orfeu (Florianópolis) |
repository.name.fl_str_mv |
Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
orfeu.ceart@udesc.br | orfeu.ceart@udesc.br |
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1842260670886707200 |