HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work

Bibliographic Details
Main Author: Oliveira, Felipe
Publication Date: 2020
Other Authors: Silva, Alana, Santos, Débora, Farias, Geazi
Format: preprint
Language: por
Source: SciELO Preprints
Download full: https://preprints.scielo.org/index.php/scielo/preprint/view/227
Summary: Filmography is the art that facilitates the construction of a connection between theoretical subjects and the practical reality of a determinated situation, through the use of films, cartoons and even series. In children's drawing SpongeBob SquarePants, we perceive a very detailed and rich business environment for study, so one wonders how the idea of ​​subjectivity and work in SpongeBob is portrayed? This research aimed to verify how the idea of ​​subjectivity and work in a children's drawing is portrayed, well known to people of various age groups. To help this objective, this study adopts the following steps: bibliographic survey on the subjects; specific episode mapping and character analysis of the characters in the drawing. This research is applied, qualitative, abductive, deductive, explanatory, exploratory, descriptive, bibliographic, telematized and Ex Post Fact. With this, coming to the following conclusion, the characters of the film represent human characteristics, being the drawing a critique for society, thus becoming an allegory.
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spelling HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and workVIVE EN UNA PIÑA BAJO EL MAR: subjetividad y trabajoVIVE NUM ABACAXI DEBAIXO DO MAR: a subjetividade e o trabalhofilmologiasubjetividadetrabalhoFilmographySubjectivityJobFilmografíaSubjetividadTrabajoFilmography is the art that facilitates the construction of a connection between theoretical subjects and the practical reality of a determinated situation, through the use of films, cartoons and even series. In children's drawing SpongeBob SquarePants, we perceive a very detailed and rich business environment for study, so one wonders how the idea of ​​subjectivity and work in SpongeBob is portrayed? This research aimed to verify how the idea of ​​subjectivity and work in a children's drawing is portrayed, well known to people of various age groups. To help this objective, this study adopts the following steps: bibliographic survey on the subjects; specific episode mapping and character analysis of the characters in the drawing. This research is applied, qualitative, abductive, deductive, explanatory, exploratory, descriptive, bibliographic, telematized and Ex Post Fact. With this, coming to the following conclusion, the characters of the film represent human characteristics, being the drawing a critique for society, thus becoming an allegory.La filmografía es el arte que facilita la construcción de una conexión entre los temas teóricos y la realidad práctica en una situación dada, utilizando películas, dibujos animados e incluso series. En el dibujo infantil SpongeBob SquarePants, percibimos un entorno empresarial muy detallado y rico para los estudios, así que, uno se pregunta, ¿cómo se retrata la idea de subjetividad y trabajo en SpongeBob? Esta investigación tuvo como objetivo verificar cómo se retrata la idea de subjetividad y trabajo en el dibujo de un niño, bien conocido por personas de diversos grupos de edad. Para ayudar a este objetivo, este estudio adopta los siguientes pasos: encuesta bibliográfica sobre los temas; mapeo de episodios específicos y análisis de las características de los personajes de dibujos animados. Esta investigación es aplicada, cualitativa, abductiva, deductiva, explicativa, exploratoria, descriptiva, bibliográfica, telematizada y ex post facto. Con esto, llegando a la siguiente conclusión, los personajes de la película representan características humanas, siendo el dibujo una crítica para la sociedad, convirtiéndose así en una alegoría.A filmografia é a arte que facilita a construção de uma ligação entre os assuntos teóricos e realidade prática de uma determinada situação, com a utilização de filmes, desenhos animados e até séries. No desenho infantil Bob Esponja Calça Quadrada, percebemos um ambiente empresarial muito detalhado e rico para estudos, assim, questiona-se, de que forma é retratada a ideia de subjetividade e trabalho em Bob Esponja? Esta pesquisa teve o objetivo de verificar como é retratada a ideia de subjetividade e trabalho em um desenho infantil, muito conhecido por pessoas de várias faixas-etária. Para auxiliar esse objetivo, este estudo adota as seguintes etapas: levantamento bibliográfico sobre os assuntos; mapeamento de episódios específico e análise das características dos personagens do desenho. Esta pesquisa é aplicada, qualitativa, abdutiva, dedutiva, explicativa, exploratória, descritiva, bibliográfica, telematizada e Ex Post Facto. Com isso, chegando a seguinte conclusão, os personagens da película representam características humanas, sendo o desenho uma crítica para a sociedade, tornando-se assim, uma alegoria.SciELO PreprintsSciELO PreprintsSciELO Preprints2020-05-14info:eu-repo/semantics/preprintinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://preprints.scielo.org/index.php/scielo/preprint/view/22710.1590/SciELOPreprints.227porhttps://preprints.scielo.org/index.php/scielo/article/view/227/275Copyright (c) 2020 Felipe Oliveira, Alana Silva, Débora Santos, Geazi Fariashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessOliveira, FelipeSilva, AlanaSantos, DéboraFarias, Geazireponame:SciELO Preprintsinstname:SciELOinstacron:SCI2020-04-28T01:19:19Zoai:ops.preprints.scielo.org:preprint/227Servidor de preprintshttps://preprints.scielo.org/index.php/scieloONGhttps://preprints.scielo.org/index.php/scielo/oaiscielo.submission@scielo.orgopendoar:2020-04-28T01:19:19SciELO Preprints - SciELOfalse
dc.title.none.fl_str_mv HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work
VIVE EN UNA PIÑA BAJO EL MAR: subjetividad y trabajo
VIVE NUM ABACAXI DEBAIXO DO MAR: a subjetividade e o trabalho
title HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work
spellingShingle HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work
Oliveira, Felipe
filmologia
subjetividade
trabalho
Filmography
Subjectivity
Job
Filmografía
Subjetividad
Trabajo
title_short HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work
title_full HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work
title_fullStr HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work
title_full_unstemmed HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work
title_sort HE LIVES IN A PINEAPPLE UNDER THE SEA: subjectivity and work
author Oliveira, Felipe
author_facet Oliveira, Felipe
Silva, Alana
Santos, Débora
Farias, Geazi
author_role author
author2 Silva, Alana
Santos, Débora
Farias, Geazi
author2_role author
author
author
dc.contributor.author.fl_str_mv Oliveira, Felipe
Silva, Alana
Santos, Débora
Farias, Geazi
dc.subject.por.fl_str_mv filmologia
subjetividade
trabalho
Filmography
Subjectivity
Job
Filmografía
Subjetividad
Trabajo
topic filmologia
subjetividade
trabalho
Filmography
Subjectivity
Job
Filmografía
Subjetividad
Trabajo
description Filmography is the art that facilitates the construction of a connection between theoretical subjects and the practical reality of a determinated situation, through the use of films, cartoons and even series. In children's drawing SpongeBob SquarePants, we perceive a very detailed and rich business environment for study, so one wonders how the idea of ​​subjectivity and work in SpongeBob is portrayed? This research aimed to verify how the idea of ​​subjectivity and work in a children's drawing is portrayed, well known to people of various age groups. To help this objective, this study adopts the following steps: bibliographic survey on the subjects; specific episode mapping and character analysis of the characters in the drawing. This research is applied, qualitative, abductive, deductive, explanatory, exploratory, descriptive, bibliographic, telematized and Ex Post Fact. With this, coming to the following conclusion, the characters of the film represent human characteristics, being the drawing a critique for society, thus becoming an allegory.
publishDate 2020
dc.date.none.fl_str_mv 2020-05-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/preprint
info:eu-repo/semantics/publishedVersion
format preprint
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://preprints.scielo.org/index.php/scielo/preprint/view/227
10.1590/SciELOPreprints.227
url https://preprints.scielo.org/index.php/scielo/preprint/view/227
identifier_str_mv 10.1590/SciELOPreprints.227
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://preprints.scielo.org/index.php/scielo/article/view/227/275
dc.rights.driver.fl_str_mv Copyright (c) 2020 Felipe Oliveira, Alana Silva, Débora Santos, Geazi Farias
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Felipe Oliveira, Alana Silva, Débora Santos, Geazi Farias
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv SciELO Preprints
SciELO Preprints
SciELO Preprints
publisher.none.fl_str_mv SciELO Preprints
SciELO Preprints
SciELO Preprints
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instacron:SCI
instname_str SciELO
instacron_str SCI
institution SCI
reponame_str SciELO Preprints
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repository.mail.fl_str_mv scielo.submission@scielo.org
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