Julião Sarmento: the innuendo of the real

Bibliographic Details
Main Author: Amorim, João Pedro
Publication Date: 2021
Format: Article
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: http://hdl.handle.net/10400.14/34660
Summary: Julião Sarmento’s body of work crosses multiple artistic disciplines and fields. The artist resorts to film and video as a means to reach the artistic expression of an idea, open to an infinitude of interpretations. This audiovisual essay looks at the way Julião Sarmento works with moving images, focusing in three main perspectives: the word, the (feminine) body and rhythm. We conclude that each one of Sarmento’s works builds a system of codes, of communication, that opens new understandings of the human relation with the ‘real’.
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spelling Julião Sarmento: the innuendo of the realFilmworksJulião SarmentoMoving imageThe realJulião Sarmento’s body of work crosses multiple artistic disciplines and fields. The artist resorts to film and video as a means to reach the artistic expression of an idea, open to an infinitude of interpretations. This audiovisual essay looks at the way Julião Sarmento works with moving images, focusing in three main perspectives: the word, the (feminine) body and rhythm. We conclude that each one of Sarmento’s works builds a system of codes, of communication, that opens new understandings of the human relation with the ‘real’.VeritatiAmorim, João Pedro2021-09-06T16:22:56Z20212021-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/34660eng1646-979810.34632/jsta.2021.9848info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-03-13T13:00:04Zoai:repositorio.ucp.pt:10400.14/34660Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-29T01:53:09.311030Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Julião Sarmento: the innuendo of the real
title Julião Sarmento: the innuendo of the real
spellingShingle Julião Sarmento: the innuendo of the real
Amorim, João Pedro
Filmworks
Julião Sarmento
Moving image
The real
title_short Julião Sarmento: the innuendo of the real
title_full Julião Sarmento: the innuendo of the real
title_fullStr Julião Sarmento: the innuendo of the real
title_full_unstemmed Julião Sarmento: the innuendo of the real
title_sort Julião Sarmento: the innuendo of the real
author Amorim, João Pedro
author_facet Amorim, João Pedro
author_role author
dc.contributor.none.fl_str_mv Veritati
dc.contributor.author.fl_str_mv Amorim, João Pedro
dc.subject.por.fl_str_mv Filmworks
Julião Sarmento
Moving image
The real
topic Filmworks
Julião Sarmento
Moving image
The real
description Julião Sarmento’s body of work crosses multiple artistic disciplines and fields. The artist resorts to film and video as a means to reach the artistic expression of an idea, open to an infinitude of interpretations. This audiovisual essay looks at the way Julião Sarmento works with moving images, focusing in three main perspectives: the word, the (feminine) body and rhythm. We conclude that each one of Sarmento’s works builds a system of codes, of communication, that opens new understandings of the human relation with the ‘real’.
publishDate 2021
dc.date.none.fl_str_mv 2021-09-06T16:22:56Z
2021
2021-01-01T00:00:00Z
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dc.language.iso.fl_str_mv eng
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dc.relation.none.fl_str_mv 1646-9798
10.34632/jsta.2021.9848
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