Julião Sarmento: the innuendo of the real
Main Author: | |
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Publication Date: | 2021 |
Format: | Article |
Language: | eng |
Source: | Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
Download full: | http://hdl.handle.net/10400.14/34660 |
Summary: | Julião Sarmento’s body of work crosses multiple artistic disciplines and fields. The artist resorts to film and video as a means to reach the artistic expression of an idea, open to an infinitude of interpretations. This audiovisual essay looks at the way Julião Sarmento works with moving images, focusing in three main perspectives: the word, the (feminine) body and rhythm. We conclude that each one of Sarmento’s works builds a system of codes, of communication, that opens new understandings of the human relation with the ‘real’. |
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Julião Sarmento: the innuendo of the realFilmworksJulião SarmentoMoving imageThe realJulião Sarmento’s body of work crosses multiple artistic disciplines and fields. The artist resorts to film and video as a means to reach the artistic expression of an idea, open to an infinitude of interpretations. This audiovisual essay looks at the way Julião Sarmento works with moving images, focusing in three main perspectives: the word, the (feminine) body and rhythm. We conclude that each one of Sarmento’s works builds a system of codes, of communication, that opens new understandings of the human relation with the ‘real’.VeritatiAmorim, João Pedro2021-09-06T16:22:56Z20212021-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/34660eng1646-979810.34632/jsta.2021.9848info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-03-13T13:00:04Zoai:repositorio.ucp.pt:10400.14/34660Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-29T01:53:09.311030Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse |
dc.title.none.fl_str_mv |
Julião Sarmento: the innuendo of the real |
title |
Julião Sarmento: the innuendo of the real |
spellingShingle |
Julião Sarmento: the innuendo of the real Amorim, João Pedro Filmworks Julião Sarmento Moving image The real |
title_short |
Julião Sarmento: the innuendo of the real |
title_full |
Julião Sarmento: the innuendo of the real |
title_fullStr |
Julião Sarmento: the innuendo of the real |
title_full_unstemmed |
Julião Sarmento: the innuendo of the real |
title_sort |
Julião Sarmento: the innuendo of the real |
author |
Amorim, João Pedro |
author_facet |
Amorim, João Pedro |
author_role |
author |
dc.contributor.none.fl_str_mv |
Veritati |
dc.contributor.author.fl_str_mv |
Amorim, João Pedro |
dc.subject.por.fl_str_mv |
Filmworks Julião Sarmento Moving image The real |
topic |
Filmworks Julião Sarmento Moving image The real |
description |
Julião Sarmento’s body of work crosses multiple artistic disciplines and fields. The artist resorts to film and video as a means to reach the artistic expression of an idea, open to an infinitude of interpretations. This audiovisual essay looks at the way Julião Sarmento works with moving images, focusing in three main perspectives: the word, the (feminine) body and rhythm. We conclude that each one of Sarmento’s works builds a system of codes, of communication, that opens new understandings of the human relation with the ‘real’. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-09-06T16:22:56Z 2021 2021-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
format |
article |
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publishedVersion |
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http://hdl.handle.net/10400.14/34660 |
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http://hdl.handle.net/10400.14/34660 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
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1646-9798 10.34632/jsta.2021.9848 |
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openAccess |
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application/pdf |
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