Recording the optimistic. An audiovisual approach to the city of Lisbon by its architecture school in the 1980s

Bibliographic Details
Main Author: Silva, L. M.
Publication Date: 2016
Format: Article
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: http://hdl.handle.net/10071/12657
Summary: With the revolution of 25 April 1974, Portugal initiated a unique cultural journey that paralleled, in the architectural field, the questioning of the modern movement that occurred since the aftermath of World War II. The academic context was a particular mirror for this criticism. The director of the Lisbon architecture course pronounced its engagement in “a sort of counter-culture”; the cultural critique that occurred, however, was more of a fortunate accident. In fact, an optimistic post-traumatic euphoria was a common element in some of the most radical pedagogical expressions that took place. In the face of the ‘creative’ productions that unfolded under the Lisbon architecture school in the 1980s, we acknowledge an unconventional form of expression that leads us to question whether a particular identity frame has characterised Portuguese architectural culture and its interrelation with the city of Lisbon ever since. This paper provides evidence for such a claim by examining previously untapped primary sources – testimonies and documents – that relate directly to Lisbon’s architecture course between 1976 and 1986 and which have informed background research for a PhD. Three videos from the School’s archives were analysed to demonstrate how students related to the topic of urbanity, specifically that of Lisbon, via this particular form of art.
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spelling Recording the optimistic. An audiovisual approach to the city of Lisbon by its architecture school in the 1980sArchitectural educationLisbonAudiovisualVideoFaculty of architectureContemporary architectural cultureWith the revolution of 25 April 1974, Portugal initiated a unique cultural journey that paralleled, in the architectural field, the questioning of the modern movement that occurred since the aftermath of World War II. The academic context was a particular mirror for this criticism. The director of the Lisbon architecture course pronounced its engagement in “a sort of counter-culture”; the cultural critique that occurred, however, was more of a fortunate accident. In fact, an optimistic post-traumatic euphoria was a common element in some of the most radical pedagogical expressions that took place. In the face of the ‘creative’ productions that unfolded under the Lisbon architecture school in the 1980s, we acknowledge an unconventional form of expression that leads us to question whether a particular identity frame has characterised Portuguese architectural culture and its interrelation with the city of Lisbon ever since. This paper provides evidence for such a claim by examining previously untapped primary sources – testimonies and documents – that relate directly to Lisbon’s architecture course between 1976 and 1986 and which have informed background research for a PhD. Three videos from the School’s archives were analysed to demonstrate how students related to the topic of urbanity, specifically that of Lisbon, via this particular form of art.DINAMIA'CET-IUL2017-03-24T14:50:01Z2016-01-01T00:00:00Z20162019-04-22T10:10:30Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10071/12657eng1645-063910.15847/citiescommunitiesterritories.dec2016.033.art09Silva, L. M.info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2024-07-07T02:52:37Zoai:repositorio.iscte-iul.pt:10071/12657Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T18:10:03.931399Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Recording the optimistic. An audiovisual approach to the city of Lisbon by its architecture school in the 1980s
title Recording the optimistic. An audiovisual approach to the city of Lisbon by its architecture school in the 1980s
spellingShingle Recording the optimistic. An audiovisual approach to the city of Lisbon by its architecture school in the 1980s
Silva, L. M.
Architectural education
Lisbon
Audiovisual
Video
Faculty of architecture
Contemporary architectural culture
title_short Recording the optimistic. An audiovisual approach to the city of Lisbon by its architecture school in the 1980s
title_full Recording the optimistic. An audiovisual approach to the city of Lisbon by its architecture school in the 1980s
title_fullStr Recording the optimistic. An audiovisual approach to the city of Lisbon by its architecture school in the 1980s
title_full_unstemmed Recording the optimistic. An audiovisual approach to the city of Lisbon by its architecture school in the 1980s
title_sort Recording the optimistic. An audiovisual approach to the city of Lisbon by its architecture school in the 1980s
author Silva, L. M.
author_facet Silva, L. M.
author_role author
dc.contributor.author.fl_str_mv Silva, L. M.
dc.subject.por.fl_str_mv Architectural education
Lisbon
Audiovisual
Video
Faculty of architecture
Contemporary architectural culture
topic Architectural education
Lisbon
Audiovisual
Video
Faculty of architecture
Contemporary architectural culture
description With the revolution of 25 April 1974, Portugal initiated a unique cultural journey that paralleled, in the architectural field, the questioning of the modern movement that occurred since the aftermath of World War II. The academic context was a particular mirror for this criticism. The director of the Lisbon architecture course pronounced its engagement in “a sort of counter-culture”; the cultural critique that occurred, however, was more of a fortunate accident. In fact, an optimistic post-traumatic euphoria was a common element in some of the most radical pedagogical expressions that took place. In the face of the ‘creative’ productions that unfolded under the Lisbon architecture school in the 1980s, we acknowledge an unconventional form of expression that leads us to question whether a particular identity frame has characterised Portuguese architectural culture and its interrelation with the city of Lisbon ever since. This paper provides evidence for such a claim by examining previously untapped primary sources – testimonies and documents – that relate directly to Lisbon’s architecture course between 1976 and 1986 and which have informed background research for a PhD. Three videos from the School’s archives were analysed to demonstrate how students related to the topic of urbanity, specifically that of Lisbon, via this particular form of art.
publishDate 2016
dc.date.none.fl_str_mv 2016-01-01T00:00:00Z
2016
2017-03-24T14:50:01Z
2019-04-22T10:10:30Z
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dc.relation.none.fl_str_mv 1645-0639
10.15847/citiescommunitiesterritories.dec2016.033.art09
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