Adaptação fílmica de “canto dos malditos”: o diálogo entre cinema e literatura

• Ano de defesa: 2013
• Autor(a) principal: Frizzo, Kelly Cristhine
• Orientador(a): Fischer, Sandra
• Banca de defesa: Guimarães, Denise, Fort, Mônica Cristine
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Tuiuti do Parana
• Programa de Pós-Graduação: Mestrado em Comunicação e Linguagens
• Departamento: Comunicação e Linguagens
• País: Brasil
• Palavras-chave em Português: Adaptação; Cinema; Literatura; Bicho de sete cabeças
• Palavras-chave em Inglês: Adaptation; Film; Literature
• Área do conhecimento CNPq: CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Resumo em Inglês: This research deal with the relations between cinema and literature comprehending all the aspects involved in the production set whether it is technical or theoretical. Having as the main corpus the Brazilian film “Bicho de sete cabeças” (Laís Bodanzky, 2001), which was inspired by the autobiographic book named “Cantos dos Malditos” (Austregésilo Carraro Bueno, 1990). The study is focused on narrative aspects and intends to demonstrate how the film adaptation happens. Based on studies about esthetic (Hans Gumbrecht, Herman Parret), narrative (David Bordwell) and adaptation process (Robert Stam, André Bazin, Fréderic Sabouraud e Linda Hutcheon), this work has its main goal on the investigation about expressive elements working on the movie and on the book as well. It is going to bring to the table a peculiar approach over the indicated works analyzing several elements specially the fatherly image.
• Link de acesso: http://tede.utp.br:8080/jspui/handle/tede/1522

This research deal with the relations between cinema and literature comprehending all the aspects involved in the production set whether it is technical or theoretical. Having as the main corpus the Brazilian film “Bicho de sete cabeças” (Laís Bodanzky, 2001), which was inspired by the autobiographic book named “Cantos dos Malditos” (Austregésilo Carraro Bueno, 1990). The study is focused on narrative aspects and intends to demonstrate how the film adaptation happens. Based on studies about esthetic (Hans Gumbrecht, Herman Parret), narrative (David Bordwell) and adaptation process (Robert Stam, André Bazin, Fréderic Sabouraud e Linda Hutcheon), this work has its main goal on the investigation about expressive elements working on the movie and on the book as well. It is going to bring to the table a peculiar approach over the indicated works analyzing several elements specially the fatherly image.