Representações do progresso e a cultura política inscrita nos periódicos pernambucanos (1837-1850)

Detalhes bibliográficos
Ano de defesa: 2010
Autor(a) principal: NERY, Diego Henrique Barros lattes
Orientador(a): ALMEIDA, Maria das Graças Andrade Ataíde de
Banca de defesa: LUNA, Suely Cristina Albuquerque de, ROSAS, Suzana Cavani
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal Rural de Pernambuco
Programa de Pós-Graduação: Programa de Pós-Graduação em História
Departamento: Departamento de História
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/4715
Resumo: In this work we address the ways in Pernambuco in the first half of the nineteenth century, they saw and spoke about the conception of progress in the province, it’s relations with the practices from Europe, a type of civility, represented in journalistic discourses that circulated in the province, especially the capital. To this end we use the concepts of Michel De Certeau on the concept of strategy for the development of journalistic discourses, the category of representation of Roger Chartier to relate the understand of progress recorded in the journals. The focus of these representations of civility and progress has been analyzed in discursive disagreements, fights and the analysis done by their own parochial on this subject in journals. This analysis was performed in the eyes of the organizational structure of its own journal for this task we use the concepts of analysis Mouilland about the layout of newspapers and will also help the discourse analysis of Eni Orlandi. We see several ways to represent the progress and the ways it’s midst came to influence the partisan disputes existing in Pernambuco demonstrating the political culture. Together we look at the disputes thatoccured in the leaves of newspapers held by conservatives and liberals in order to get space on the political scene of Pernambuco making use of their own concepts of progress and modernity.