O cavaquinho na obra de Waldir Azevedo

• Ano de defesa: 2011
• Autor(a) principal: Cesar, Ana Claudia
• Orientador(a): Contier, Arnaldo Daraya
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Presbiteriana Mackenzie
• Palavras-chave em Português: música urbana; choro; cavaquinho; Waldir Azevedo
• Palavras-chave em Inglês: urban music; choro; cavaquinho; Waldir Azevedo
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA
• Link de acesso: http://dspace.mackenzie.br/handle/10899/24698

This work intend to describe the way that the musical instrument named cavaquinho took as fundamental piece at the formation of the choro as a musical gender. Besides, this research shows how the composer Waldir Azevedo transformed the old way of the cavaquinho, an instrument used to accompany to an instrument that could be (played) solo. Initially an approach was done about the history of the choro and a bibliographic research about Waldir Azevedo. Four pieces of this author were selected for this work and also an attentive musical analysis of his interpretations playing the cavaquinho was done. Through this, it was possible to realize the specific methodology used by him to play and to build his works