A lenda de Hannibal Lecter: um estudo da carnavalização nos filmes o silêncio dos inocentes, Hannibal e dragão vermelho

• Ano de defesa: 2012
• Autor(a) principal: Doiche, Eliana Pardo Pulz
• Orientador(a): Lopondo, Lílian
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Presbiteriana Mackenzie
• Palavras-chave em Português: câmera; Bakhtin; dialogismo; carnavalização; Hannibal Lecter
• Palavras-chave em Inglês: camera; Bakhtin; dialogism; carnavalization; Hannibal Lecter
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
• Link de acesso: http://dspace.mackenzie.br/handle/10899/25291

The goal of this dissertation is the study of the character Hannibal Lecter in filmic narratives The Silence of the Lambs, Hannibal and Red Dragon. To this end, we focus on the character in two ways: the first relates to its construction. We studied the movements of the camera, the camera angles and focus of the camera. Some other elements of film language, such as noise and music were cited when they were very relevant to the composition of the character. The second deals with the dialogue, the science of relations , as formulated by Bakhtin. We seek thus to seize the moments when the characters become aware of their identity. The narrative procedures common to the corpus show the conception of the film world stands on the carnavalization. Through the images carnivalized, we are faced with a topsy-turvy world where the truths and identities are relative.