Detalhes bibliográficos
Ano de defesa: |
2012 |
Autor(a) principal: |
Bernardo, Hebe Camargo [UNESP] |
Orientador(a): |
Não Informado pela instituição |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
|
Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Estadual Paulista (Unesp)
|
Programa de Pós-Graduação: |
Não Informado pela instituição
|
Departamento: |
Não Informado pela instituição
|
País: |
Não Informado pela instituição
|
Palavras-chave em Português: |
|
Link de acesso: |
http://hdl.handle.net/11449/86904
|
Resumo: |
The main objective of this research is the analysis of the work Café of 1935 by Cândido Portinari, as well as their preparatory studies. During the construction of this research project realized the need to insert the derivations of the work dating from 1934 – 1938 of Café, these works introduced in preparatory drawings, panels and frescoes, each within the context of social history in the painter Portinari in the 30’s. These parties have completed the importance of the whole and vice versa, in view of the dialectical relations of the subject and object which resulted in the creation of the artistic object through the social context that influenced the development of the artist.Contributed to the preparation of the content of this survey the history of blacks and immigrants in the coffee culture in the direct relationship of these characters with the work, because it is through them that Portinari demonstrated a social concern.Another important aspect is the iconography and sociological aspects of art Portinari pointing to the field of understanding the meaning work, the national and universal historical events that permeated Café and modernism in and outside of Brazil and its social repercussions.In the field of Gestalt theory, the search will be contemplated with the interpretation noting the contents of Café shape while reading ability |