O fazer intelectual brasileiro (1930-1946): Rachel de Queiroz e o Congresso de 1946
Ano de defesa: | 2015 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Estadual Paulista (Unesp)
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Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | http://hdl.handle.net/11449/134155 http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/19-01-2016/000857665.pdf |
Resumo: | This work aims to study two types of make up, or, if you prefer, the construction of the Brazilian intellectual, from an analysis of the self-conceptions of historical subjects that refers to hybridization - or the fusion of alien elements with other, internal reality of the actors - marked by expedients of persuasion (rhetorical) engendered by the agents to legitimize their own intellectual notions. In the first mode, we study the novels by Rachel de Queiroz and her trajectory, by aiming to show the universe of mediators and producers endowed with national visibility and proper literary rhetorical forms of the Romance of 1930s. Second, we focus on the literary experiences of a group of writers from Ceará little, the collective CLÃ, These scholars of bad luck made in 1946 a congress of writers whose main agenda is summarized in the problems of intellectual/province writer. Notion that showed the limitations that restricted their works and activities to the local dimension |