A narrativa visual de Lourenço Mutarelli: o uso fragmentado da linguagem dos quadrinhos em seus primeiros romances gráficos

• Ano de defesa: 2014
• Autor(a) principal: Silveira, Guilherme Lima Bruno e [UNESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual Paulista (Unesp)
• Palavras-chave em Português: Mutarelli, Lourenço, 1964- Crítica e interpretação; Literatura - História e critica - Teoria, etc; Histórias em quadrinhos, tiras, etc. Brasil História e critica Teoria, etc. Séc. XX; Romances gráficos; Arte narrativa
• Link de acesso: http://hdl.handle.net/11449/127555; http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/01-09-2015/000844422.pdf

Lourenço Mutarelli had an intense comics production during the nineties. After a period producing fanzines and short stories, he starts to create a series of albums with dense stories, characterized by disturbed characters. This research intends to reflect about his narrative in the albums Transubstanciação, Eu te amo Lucimar and Confluência da Forquilha; how Lourenço Mutarelli develops his comics construction, identifying the visual narrative specificities and, consequently, some possibilities of the comics language. Mutarelli's work is distinguished and authorial, his narrative cuts are fragmented, the vision of a deformed and chaotic world, the union of different visual forms - drawings that are sometimes realistic, sometimes deformed, combined with photographic elements - and verbal forms - colloquial speech combined with poems and explanatory notes - creates a plural work, that needs a creative effort to the reading process and analysis, once it goes beyond the limits of the traditional analyses, overcoming the subjectivity and uncertainty. Even though the author has a great importance for the national comics and is one of the forerunners of the graphic novels in Brazil, much of his comics production hasn't been widely studied yet, especially his early albums. Therefore, we intend to delimit some aspects of the author's poetics, in addition to the reading possibilities of these works that represent a mark for the Brazilian comics