O esquecido de si, Dante Milano: rastros de uma poética do esquecimento

• Ano de defesa: 2015
• Autor(a) principal: Malavolta, Bruno Darcoleto [UNESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual Paulista (Unesp)
• Palavras-chave em Português: Milano, Dante; Literatura; Poesia moderna; Poetica; Esquecimento; Literature
• Link de acesso: http://hdl.handle.net/11449/132636; http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/16-12-2015/000856002.pdf

During the twentieth century, Dante Milano's work Poesias has had univocal readings by some critics, culminating in the reading by Ivan Junqueira (1984), which sustains the ideia of an unimpeachable unity. This unity is the base of our investigation: the trace of oblivion that crosses Milano's work and its imbrication with its main theme, the thought. From the observation of the signs that were left in the margin - in fact forgotten - we are going to force the center of this poetic, in order to reveal the cracks in Milano's work, and these cracks will denounce the modern intuition of the artist who wrote it. We see the oblivion as a triple outspread: the cultural oblivion due to the traumatic theme of the war; the out-of-place ontology, when it appropriates alighieri's analogy (PAZ, 2013) but already detached from its Neoplatonic ontology; the dissolute language, when irony is inserted, in the terms presentede by Paz (2013), in the center of this analogy, simulating a correspondence between the sensitive and inteligible worlds which dissolves itself later in otherness. This structural tripod of Milano's work is united in the theme often repeated throughout Poesias: oblivion