Detalhes bibliográficos
| Ano de defesa: |
2014 |
| Autor(a) principal: |
Gimenez, Priscila Renata [UNESP] |
| Orientador(a): |
Não Informado pela instituição |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Estadual Paulista (Unesp)
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: |
|
| Link de acesso: |
http://hdl.handle.net/11449/127573
|
Resumo: |
In the perspective of researches about literature and press theory and about cultural transfers, this study presents a comparative analysis between Hector Berlioz' and Théophile Gautier's theater serials and Brazilian dramatic writer Martins Pena's serials about lyric theater wrote by the Brazilian dramatic writer Martins Pena. He wrote the series Lyric Week published in Jornal do Commercio in 1846-1847. In a diachronic perspective which consider the process of periodical press globalization in the 19th century, this investigation aimed to reconstruct and observe the transfers of media cultural practices from the French press to the Brazilian press which determined the acclimatization of the theater serials in Brazil. Emphasizing the method analysis, the construction of critical discourse and style of French theater serials and that of Martins Pena, we focused our study on the literary aspects as well as on the impact their adaptation had in the Brazilian press. Specifically, the form and manifestation of the (journalistic) irony in the writing of the columnists constitute the focus of the analysis. In this way we established that Martins Pena adapted aspects of the French columnists' literary writing, creating an autonomous and legitimate poetic. In addition to being the first cultural content chronicle series of the daily press of Rio de Janeiro, the Lyric Week distinguishes itself from previous Brazilian theater serials through the ironic and fictional writing assimilated and recreated throughout the series by Martins Pena |
