Os caminhos movediços de Bandeira

Detalhes bibliográficos
Ano de defesa: 2015
Autor(a) principal: Melo, José Eduardo Martins de Barros [UNESP]
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Estadual Paulista (Unesp)
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://hdl.handle.net/11449/138423
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/02-05-2016/000864248.pdf
Resumo: This Study Investigates Manuel Bandeira's discourse and it's movable trait, focusing on the dialogue that can be seen between tradition and modernity, fiction and biography. The starting point is the analysis of how the fusion of these aspects is presented in his writing and also how this fusion turns out to be an element of differentiation in Bandeira's style as a poet and translator. Both the marks of existence as well as the signs of death in the author's production are also studied here. These elements represent Bandeira's two main lines of writing and are used by the poet as a way to conduct the whole set of his literary production to the core of a subject that is reinvented in the gap found between tradition and renewal, invention and experience. To achieve the purpose of this work we use studies on poetry developed by the formalists and we also search for the existence of movable boundary lines in which these elements intersect as conductors; the language of death. To this perspective of formalist analysis, we add the ideas about Florência Garramuño's opaque experiences, adjusted to whatever is produced in Bandeira's work regarding the updating of this concept, in which language, subject and artistic procedure stand, both in his poetic creation as in his translation. Looking at the translated literary production, we end the reflexions of the thesis that observes, in the author's expressiveness, a apace of inseparability among the mentioned elements