A dimensão social e a dimensão verbo-visual do gênero “post em rede social”: linguagem multissemiótica e dialogismo
| Ano de defesa: | 2020 |
|---|---|
| Autor(a) principal: |
Gregol, Fernando Arthur
 |
| Orientador(a): |
Costa-Hübes, Terezinha da Conceição
|
| Banca de defesa: |
Costa-Hübes, Terezinha da Conceição
,
Pereira, Rodrigo Acosta
,
Baumgartner, Carmen Teresinha
,
Castela, Greice da Silva
|
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Estadual do Oeste do Paraná
Cascavel |
| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Letras
|
| Departamento: |
Centro de Educação, Comunicação e Artes
|
| País: |
Brasil
|
| Palavras-chave em Português: | |
| Palavras-chave em Inglês: | |
| Área do conhecimento CNPq: | |
| Link de acesso: | http://tede.unioeste.br/handle/tede/5188 |
Resumo: | The hypermodernity changes, especially the ones related to the dialogic relations and enunciation production in a digital space are becoming very common in our society. Human beings have developed technologies to deal with every single historical period and, therefore, new ways of acting and new ways of saying became common in different ways of life. In digital spaces, multiple ways and multiple resources had been created, originating new formations and configurations to enunciations, in other words, new discourse genres (BRASIL, 2017; ROJO; BARBOSA, 2015). Facebook, as the most common social media in the world, is also one of the biggest representors of this novelties brought by the digital technology (BARTON; LEE, 2015). Not only stylisticcompositional resources have originated in this environment, but also discourses and social themes have emerged in our society, having space and broad debate in this virtual space. Thus, knowing the new configurations and the yearnings that occur in those spaces, in this research, we aim to study, insert in the dialogic perspective of language, the social dimension and the verbal-visual dimension of “post on Facebook” discourse genre, comprehending it as multiliteracy practice in digital spaces. Specifically, we analyzed the genre’s constitution, adopting a dialogic perspective of language as the main premise e theoretical-methodological approach in our research, looking for a better understanding about social dimension, that comprehends the spatial and temporal horizon, the thematic horizon, and the axiological horizon (VOLOSCHINOV; BAKHTIN, 1926), and the verbal-visual dimension, that means, the thematic content, the language/semeiotic style, and compositional construction (BAKHTIN, 2016[1952-53]) of the genre. Therefore, it is a research inserted in Applied Linguistic studies (MOITA LOPES, 2006; FABRÍCIO, 2006), characterizing itself by the qualitative-interpretative method (BORTONI-RICARDO, 2008; FLICK, 2010), once we are facing a social and relevant phenomenon that is convenient for scientific investigation. We also insert this investigation based on the sociological method, proposed by Volochínov (2017[1929]), that starts the analysis from a broad social context to achieve the linguistic materiality, and as it were the semeiotic of the enounces selected for this study. We glanced specially to “Quebrando o Tabu” page, inserted on Facebook social media, to analyze text-enounces the are set by the use of images in movement (video), sounds, and verbal written and spoken language, in the perspective to answer the following questions: (1) How “post on Facebook” genre is constituted based on its social dimension? (2) How “post on Facebook” genre is constituted based on its verbal-visual dimension, as it being results of multiliteracies situated practices? Besides our theoretical base is sustained by Bakhtin’s Circle of studies, we also resort to contemporary authors that dialogue with this perspective we have assumed, such as Rodrigues (2001; 2005; 2014), Brait (2004; 2005; 2013), Rojo (2005; 2013), Faraco (2009), Acosta Pereira (2012), Brocardo (2015) and CostaHübes (2017). Also we commune in authors that conceive the multimodality and the multi-semeiotic dimension in the constitution of the enounce, such as New London Group (2006[1996]), Santaella (2003; 2014), Lemke (2010), Rojo (2012), Barton and Lee (2015), Rojo and Barbosa (2017), and Rojo and Moura (2019). As a result of this investigation we observed that the enounces have as support smartphones, tablets, and laptops. The axiological values are conditionate by the reactions, by the production of responding-enounces via commentary, and the sharing of enounces in private microblogs. The semeiotic characterization is merged with linguistic styles, and the compositional construction that is given using hyperlinks, and by the dynamism in the social media, resulting as a process of interaction nowadays. |