Aqui dentro do lado de fora: a teatralidade em "Intramuros", de Lygia Bojunga

• Ano de defesa: 2024
• Autor(a) principal: Guerra, Angela Célia Moreno Nunes
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; Brasil; Programa de Pós-graduação em Estudos Literários
• Palavras-chave em Português: teatralidade; theatricality; livro; book; materialidade; materiality; paratextos; paratexts; Intramuros; CNPQ::LINGUISTICA, LETRAS E ARTES; Literatura; ODS::ODS 4. Educação de qualidade - Assegurar a educação inclusiva, e equitativa e de qualidade, e promover oportunidades de aprendizagem ao longo da vida para todos.
• Link de acesso: https://repositorio.ufu.br/handle/123456789/41412; http://doi.org/10.14393/ufu.di.2024.153

This work aims to analyze the way in which Lygia Bojunga theatricalizes writing by exploring paratextual spaces in her latest book, Intramuros (2016), putting on stage the writing of the book itself. In this way, creating another space in which it is not possible to distinguish inside or outside, highlighting the need to extend our gaze beyond the text, beyond the book and the way it is structured, as well as the place occupied by the figures that participate in the writing and set it in motion as the author, the reader, the characters, and the book itself. To do this, we began the research with a brief overview of the book as an object, considering its material transformations. We have theoretical support from important scholars such as: Agamben (2018), Turrer (2017), Compagnom (1996) and Genette (2009). To think about theatricality, that is, “language taken to the limit”, we had as theoretical support the works of Barthes, as well as Bident (2012), who focused on barthesian theatricality, and other theorists who looked at writing that questions writing itself, such as Blanchot (2018) and Deleuze (2011).