Tempo e memória em Os Sinos da Agonia: uma relação de convergência

• Ano de defesa: 2010
• Autor(a) principal: Braga, Andrea Abadia de Magalhães
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; BR; Programa de Pós-graduação em Letras; Linguística, Letras e Artes; UFU
• Palavras-chave em Português: Tempo; Memória; Convergência; Modernidade (Autran Dourado. Os Sinos da Agonia); Análise do discurso; Modernismo (Literatura); Dourado, Autran, 1926-. Os Sinos da Agonia; Autran, 1926- Crítica e interpretação; Time; Memory; Convergence; Modernism (Autran Dourado Os Sinos da Agonia); CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA
• Link de acesso: https://repositorio.ufu.br/handle/123456789/11818

The study of Sinos da Agonia , from Autran Dourado, unravels of the relation time / memory the Convergence crossing of time, spaces and forms . The novel, the memory its presents as a impregnated of times and perceptions, and is her through that know the dramas, the agonies, and the infighting each personage; We taken to understand the fortune that each built the long of life _ yours perceptions of the present moment, most of the times, back of mistake from foretime and therefore, yours future projections, always glimpse the tragic _ element inherent to existential experience of they all. There isn´t a line between the past, the present and the future, the times themselves intersect in the memory and are revealed simultaneously to reader. The considerations about time will have as speculative base the work from Octavio Paz and his Art of Conjugation or Art of Convergence that proposes an integration of the man with the world that him enclosure, through conciliation of contrary. The memory will be analyzed according with cogitation of Bergson, which it studies for to temporal sensations and perceptions. Seeks to also verify how the language and the compositional elements of narrative contribute for the making of the idea to Convergence from Octavio Paz and as the symbolic element bell itself the time and the memory: being the temporal impression of present narrative the story, the bells with its constant chime, makes with which of the dramas are added and reminded every time that mark the strokes of the agony. This time, observe a confluence of sensations that mix and so confuse, leading the personage to peak of despair.