Perfomances vestíveis: processos de criação a partir das relações entre a atriz-performer, o figurino e a cidade

• Ano de defesa: 2018
• Autor(a) principal: Pinheiro, Letícia Corrêa da Silva
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; Brasil; Programa de Pós-graduação em Artes Cênicas
• Palavras-chave em Português: Performance; Actress-performer; Figurino; Costumes; Cidade; City; Atriz-performer; Processos de criação; Process of creation; Artes cênicas; Performance (Arte); Criação (Literária, artística, etc.); Vestuário na arte; Espaço urbano; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO
• Link de acesso: https://repositorio.ufu.br/handle/123456789/23040; http://dx.doi.org/10.14393/ufu.di.2018.1418

In this research, I propose a reflection on the possibilities of creation through the relationships between costumes, body and city. I will use my experience as an actress-performer-costume designer as a central object of this study, aiming at analyising the process of creating the Nômades de Rua. The Nômades de Rua consisted of a practical and experimental work on performance, costumes, body and urban space, started in October 2013 and finished in March 2017. During the creative process, we used clothes from thrift stores as trigger for creating figures and costumes to use in the performances called vestíveis in the middle of Uberlândia city. The methodology used in this research has as reference the autoethnographic research in arts, in which from the iconographic and written records produced during the creative process I present the procedures and the sensations aroused during this experience, aiming at establishing a dialogue with artists and researchers with the proposal of a multidisciplinary debate on fashion-clothing, performance, costuming and urban space.P