Fragmentos Instantâneos: um estudo do mecanismo cinematográfico bergsoniano na pintura Nu descendo uma escada, de Marcel Duchamp

• Ano de defesa: 2012
• Autor(a) principal: Pereira, Caroliny
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; BR; Programa de Pós-graduação em Artes; Linguística, Letras e Artes; UFU
• Palavras-chave em Português: Nu descendo uma escada; Duchamp; Mecanismo cinematográfico; Movimento; Bergson; Artistas franceses - Séc. XX; Pintura moderna - Séc. XX; Nu na arte; Duchamp, Marcel, 1887-1968; Nude descending a staircase; Marcel duchamp; Cinematic mechanism; Movement; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: https://repositorio.ufu.br/handle/123456789/12314; https://doi.org/10.14393/ufu.di.2012.95

The research called Snapshots Fragments; a study of Bergsonian cinematographic mechanism in the Marcel Duchamp´s painting Nude Descending a Staircase, is based in arts and reflections in which paint is performed a study of the cinematic mechanism concept from the philosopher, Henri Bergson. The research starts from the questions about wich intersection point can exist between an art work and a philosophical concept, that were deeply relevant and fruitful in modernity with contemporary developments in both discussions: arts and philosophy. In other words, this work was done intending to find similarities and differences between Duchamp\'s painting and Bergson´s concept. The research was developed aiming to enable the dialogue establishment between art and philosophy, given through an element that would be the embrace of both: the movie.