Instâncias enunciativas sujeitudinais na obra de Katherine Mansfield

Detalhes bibliográficos
Ano de defesa: 2006
Autor(a) principal: Castineira, Rita de Cassia Pastorin
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Uberlândia
BR
Programa de Pós-graduação em Estudos Linguísticos
Linguística Letras e Artes
UFU
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://repositorio.ufu.br/handle/123456789/15470
Resumo: Our research has as corpus fragments of letters, journals and short stories of the English writer Katherine Mansfield. We approach the meta-discursiveness of letters and journals and the esthetics-literary discursiveness of short stories of the writer in order to verify the intercrossing of speeches between the Author-Subject Enunciative Position (ASEP) and Writer-Subject Enunciative Position (WSEP) and the moving of meaning that is established in the thematic enunciative regularities from the letters and journals to the short stories. Thereby, we search the understanding of a continuous in enunciative alteration between different speeches enunciated between the real of language and history, in sieve of an Author-Subject Enunciative Position (ASEP) that enunciates the letters and journals, and the one Writer-Subject Enunciative Position (WSEP) that enunciates the narrative of the short stories in the intercrossing polyphonic-interdiscourse from a Narrator-Subject Position (NSP) and from a Character-Subject Position (CSP). The way that unravels the literary esthetic discursiveness of meaning in the gender of short stories has its theoretical support in the French Discourse Analysis; in Pêcheux (1995; 2006) in the notions of subject, discourse and significance; a theoretical-linguistic referential support in Authier-Revuz (2001; 2004) in the heterogeneous enunciateveness of the speeches and, finally, two theoretical complementary bases. The first in Mikhail Bakhtin (1997; 2004) accosting notions of dialogism, polyphony and genders of discourse, and the second in Foucault (1995) e Le Goff (1990; 2003) dealing with the letters and the journals as monument document. With this theoretical support, we verify the constitutive meta-discursiveness of the Author-Subject Enunciative Position that implies in an esthetic discursiveness enunciated by the Writer-Subject Enunciative Position, forming, in this way, the speeches of an enunciative literary-esthetics manifestation in the meaning of the gender short stories.