Apropriações históricas e releituras estéticas da comédia de Carlo Goldoni pela modernização artística no Brasil do século XX

• Ano de defesa: 2015
• Autor(a) principal: Duarte, André Luis Bertelli
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; BR; Programa de Pós-graduação em História; Ciências Humanas; UFU
• Palavras-chave em Português: Carlo Goldoni; Comédia; Fontes populares; Teatro brasileiro moderno; História e teatro - Brasil; Teatro e sociedade - Brasil - História; Goldoni, Carlo, 1707-1793 - crítica e interpretação; Comedy; Popular sources; Modern brazilian theater; CNPQ::CIENCIAS HUMANAS::HISTORIA
• Link de acesso: https://repositorio.ufu.br/handle/123456789/16329; https://doi.org/10.14393/ufu.te.2015.60

This study aimed to investigate the reception of the comedies of the Venetian playwright Carlo Goldoni in Brazilian theater of the twentieth century, above all, from the moment of aesthetic affirmation and criticism of the so-called \"modern Brazilian theater.\" Since the early years of the 1940s until the mid-1970s, the comedies of Goldoni were rescued by artists in various initiatives as able to dialogue with Brazilian society at different historical moments. We realized that the reception of his work in Brazil was different shades as the artistic, political and cultural issues were altered. In addition, the comedies of Goldoni allowed us to investigate the different views on the comic genre in the history of Brazilian theater, especially on their popular sources. The different treatments of popular comic contained within the Goldoni\'s work carried out by several Brazilian artists allowed us to question the hierarchy built on comedy in historical interpretations of modern Brazilian theater.