O imaginário do corpo poético no trânsito das linguagens

• Ano de defesa: 2018
• Autor(a) principal: Bruni, Rosana Artiaga Cunha
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; Brasil; Programa de Pós-graduação em Artes
• Palavras-chave em Português: Dança-teatro; Theater-dance; Imaginação; Imagination; Intuição; Intuition; Sincronicidade; Synchronicity; Processos Criativos; Creative Processes; Transliteração de linguagens; Transliteration of languages; CNPQ::LINGUISTICA, LETRAS E ARTES
• Link de acesso: https://repositorio.ufu.br/handle/123456789/21312; http://dx.doi.org/10.14393/ufu.di.2018.1303

The present research puts in perspective the realization of a practical theoretical study about the Imaginary and some key notions in this investigation as imagination, intuition and synchronicity. Using as a research methodology the Matrix Analysis Method applied to the auto-ethnographic investigations of creative processes in dance-theater, elaborates the understanding of the image as an imaginary device, recognizes the reverie as a method of creation in the Scenic Arts, being the transliteration of languages one of its possible practical effects.