Ironia e subjetividade: Kierkegaard e a crítica ao romantismo alemão

• Ano de defesa: 2021
• Autor(a) principal: Silva, Renato Alexandre Laurentino Da [UNIFESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de São Paulo (UNIFESP)
• Palavras-chave em Português: Irony; Subjectivity; Sócrates; Romanticism; Romantic; Ironia; Subjetividade; Romantismo; Românticos
• Link de acesso: https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=11097478; https://repositorio.unifesp.br/handle/11600/68254

This research aims to analyze the relationship between the concepts of irony and subjectivity according to the thinking of the Danish philosopher Søren Kierkegaard. We will examine how Kierkegaard interpreted romantic irony based on his work The concept of irony constantly referred to by Socrates (1841). In this work, which is his first outstanding work, also his master's dissertation, Kierkegaard presents an analysis of the concept of irony in its genesis, starting from the characterization of the figure of the philosopher Socrates through the accounts of his biographers: Xenophon, Plato and Aristophanes. In order to achieve our objective, we will analyze the criticism he undertakes of German Romanticism - post Fichte - when he compares Socratic irony with the romantic irony used by the German philosophy of his time; in this direction, we will see how he also uses the interpretation that Hegel gave irony as a way of overcoming the romantic aspect for having established it as a moment in the development of dialectics. From this approach, we will observe how the Kierkegaardian emphasis on the concepts of irony and subjectivity, as well as their distance from the Hegelian view, contrasts with the romantic view of philosophers / poets such as Schlegel, Tieck and Solger, who would have tried for him reducing reality to rational processes of abstract subjectivity, as a radical negation of an effective reality. In this way, Kierkegaard proposes a use of the irony that he calls “controlled irony”, in response to the romantics.