O corpo neobarroco em De lama lâmina, de Matthew Barney

• Ano de defesa: 2016
• Autor(a) principal: Fernandes, Rodrigo Pereira [UNIFESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de São Paulo (UNIFESP)
• Palavras-chave em Português: Matthew Barney; From mud a blade; Neobaroque; De lama lâmina; Neobarroco
• Link de acesso: https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=4108607; https://repositorio.unifesp.br/handle/11600/47243

This thesis is an analysis of how the artist Matthew Barney articulates the body within his work. The focus of the research is the artwork From Mud a Blade (2004 - 2009), accessed through the meanings and interpreted concepts of previous work of the artist himself and by aspects of the neo-baroque, targeting a baroque reading not as historicized category in art history, but as a transhistorical cultural paradigm, capable of causing effects of instability and mutation in the forms. From the concepts developed by Walter Moser, main theorist who writes about the current neo-baroque, the work of Matthew Barney, and interpreted, illustrates aspects that allow to approach the notion of body in all of his work on this perspective.