A Arte Na Vida : Johan Huizinga E As Imagens Na História Da Cultura

• Ano de defesa: 2018
• Autor(a) principal: Lopes, Renato Ferreira [UNIFESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de São Paulo (UNIFESP)
• Palavras-chave em Português: Image; Art History; Cultural History; Imagem; História Da Arte; História Da Cultura
• Link de acesso: https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=6768460; https://repositorio.unifesp.br/handle/11600/52666

In Johan Huizinga's View, The Study Of The Past From The Images Accesses Realities That The Official Documents And The Statistics Do Not Reach. His Attempt To "See" History Is The Proposal Of An Immersion On The Most Sensitive Side Of Historical Accounts And The Recognition That The Uses And Functions Of Images Are Not Restricted To The Artistic Universe, But That Arise Constantly In Everyday Life And In The Dreams Of People Of The Past And Present - Not Excluding Historians Whose Work Is, According To Huizinga, After Extensive Research To "Shape" Or Create An Image Of A Past Reality. In This Work We Will Follow His Idea About The Images In The History Of Culture In The First Decades Of The Twentieth Century From Lectures, Essays And The Work Of Which He Consecrated It In The Historical Studies: The Wanning Of The Middle Ages (1919). Our Purpose Is To Approximate The Author To The Field Of The Art History, Presenting How Much His Vision On The Modes Of Apprehension Of The Past Arises Closely Linked To The Art