A Arte Na Vida : Johan Huizinga E As Imagens Na História Da Cultura

Detalhes bibliográficos
Ano de defesa: 2018
Autor(a) principal: Lopes, Renato Ferreira [UNIFESP]
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de São Paulo (UNIFESP)
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=6768460
https://repositorio.unifesp.br/handle/11600/52666
Resumo: In Johan Huizinga's View, The Study Of The Past From The Images Accesses Realities That The Official Documents And The Statistics Do Not Reach. His Attempt To "See" History Is The Proposal Of An Immersion On The Most Sensitive Side Of Historical Accounts And The Recognition That The Uses And Functions Of Images Are Not Restricted To The Artistic Universe, But That Arise Constantly In Everyday Life And In The Dreams Of People Of The Past And Present - Not Excluding Historians Whose Work Is, According To Huizinga, After Extensive Research To "Shape" Or Create An Image Of A Past Reality. In This Work We Will Follow His Idea About The Images In The History Of Culture In The First Decades Of The Twentieth Century From Lectures, Essays And The Work Of Which He Consecrated It In The Historical Studies: The Wanning Of The Middle Ages (1919). Our Purpose Is To Approximate The Author To The Field Of The Art History, Presenting How Much His Vision On The Modes Of Apprehension Of The Past Arises Closely Linked To The Art