Alegoria Da República: O Pano De Boca Da Sala De Espetáculos Do Theatro Da Paz (1890) E A Representação Da Nação Paraense Republicana

Detalhes bibliográficos
Ano de defesa: 2017
Autor(a) principal: Correa, Denise Avelino [UNIFESP]
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de São Paulo (UNIFESP)
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=5059325
http://repositorio.unifesp.br/handle/11600/49921
Resumo: This work intends to analyze the Alegoria da Republica (Allegory of the Republic – 1890), done by Chrispim do Amaral, a grand drape painting of the Theatro da Paz showroom, located in Belém, State of Pará. An important painting, completed in the first Republican year and unknown by authors of this period. This study intends to look at the real grand drape historiography, analyze their characters, as well, understand the imaginative function that the grand drape had on Pará society of the late nineteenth century. For a long time, this scenic object was mistakenly associated with another artist. Correcting the authorship of this important work of art is a way to contribute to Brazil research and expand information about the country theaters. For this, this work research the hiring of Chrispim do Amaral. Describes the types of Brazilian republican representations, analyzes the allegory characters, and makes a possible association with other works of the same theme. The dissertation will highlight the grand drape complexity, how the work allows to approach aspects of the political life and the culture of that time, presenting the new republican context and the racial problem with the end of slavery. The grand drape brings to Theatro da Paz stage not only a representation of the Republic, but also, various types of characters, which demonstrates racial and class differences.