Estéticas periféricas em Crónica de una libertad condicional, de César González, e Colecionador de pedras, de Sérgio Vaz

Detalhes bibliográficos
Ano de defesa: 2019
Autor(a) principal: Silva, Edson Lopes Da [UNIFESP]
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de São Paulo (UNIFESP)
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8474631
https://repositorio.unifesp.br/handle/11600/59688
Resumo: This work presents a reflection on the aesthetic possibilities of the peripheral literature from the analysis of the books Crónica de una libertad condicional, by César González and Colecionador de Pedras, by Sérgio Vaz, seeking to understand the approximations and distances between both works and in what way they fit within the periphery literature in Brazil and Argentina. For this, some perspectives of the literary analysis and the representation of subalternity in the literature, as well as the linguistic and thematic aspects present in the books were discussed; starting from the understanding that this new literature emerged in the peripheral neighborhoods, represents a rupture of the extremely elitist model of literate culture. The residents of favelas and villas have found in peripheral literature a way of representing themselves and the world from another perspective. Vaz and González depart from the concrete experience of residents of poor neighborhoods and offer an internal look at this reality. The books analyzed in this paper represent a small part of the peripheral literature, but may exemplify the idea that, despite presenting distinct aesthetic characteristics, the authors are connected by a common ethic and by a perception of art as a tool for individual and collective transformation. The dissertation aims, therefore, to contribute to the expansion of studies on margin literature and the emergence of subaltern voices in Latin America.