Dama Florentina: um estudo do retrato na sociedade de corte do renascimento

• Ano de defesa: 2019
• Autor(a) principal: Nascimento, Sarah Maria De Godoy Costa E [UNIFESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de São Paulo (UNIFESP)
• Palavras-chave em Português: Portrait Study; Portrait Of Florentine Lady; Renaissance And Court Society; Estudo De Retrato; Retrato De Dama Florentina; Renascimento E Sociedade De Corte
• Link de acesso: https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8191235; https://repositorio.unifesp.br/handle/11600/60037

This research is characterized by an analysis of portraiture within the Renaissance courts of Italy, in particular, the Florentine court and the female representation in a specific portrait of the sixteenth century. That way, through an interdisciplinary appeal, based on historiographical methods, the work, entitled "Florentine Lady: a portrait study at the Renaissance court society", has the purpose of delimiting a chronological study on the painting of Alessandro Allori, nominated "Portrait of Florentine Lady", which is currently located at the Ema Gordon Klabin Cultural Foundation in São Paulo. Therefore, it becomes necessary not only to understand the individual, product of the Italian court society, but also to observe, specifically, how art and society were interconnected in Florence during the Renaissance. Lastly, this dissertation intends to objectify the field of the court portraiture, through a comparative clipping between the Florentine artists, Agnolo Bronzino and Alessandro Allori, in order to analyze the aesthetics reflected in the "Florentine Lady" but, more than that, to add information to this important iconographic work which, in Brazil, constitutes the Italian European Painting Center of the Ema Klabin Collection.