Experiências e memórias de um corpo em performance arte: um olhar sociopolítico e cultural ao orientalismo

Detalhes bibliográficos
Ano de defesa: 2023
Autor(a) principal: Domingos, Giovana Moura
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Santa Maria
Brasil
Artes
UFSM
Programa de Pós-Graduação em Artes Visuais
Centro de Artes e Letras
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://repositorio.ufsm.br/handle/1/33089
Resumo: This master's qualification report reflected on research on poetics in the field of Visual Arts, which addressed the artist’s experience and in relation to Orientalism, through videoperformance. A series of performances was created that intricate, transversal relations between art, life, and orientalist sociocultural contexts. For this, the question was raised: how to develop a creative process of performances, from experiences and personal memories supported by Orientalism? In the midst to the Covid-19 pandemic, the language of the work is configured as video performance, due to an initial impossibility of transiting through face-to-face spaces. It is based here, the relation of the orientalist images that hover in the mind of the researcher and of other related people, with the creative processes of performance. For this, an active autobiography was adopted as a methodological procedure. Three video performances were produced that relate orientalist elements to the artist's routine, they are Tentativa de Esgotamento I, Cardápio de Hoje: mistério, Tapetes não Voam. There is also an account of the experience of an exhibition at the Museu de Arte de Santa Maria, which brings together the three works and their creative processes. In this way, it was possible to intertwine art, life, and orientalist sociocultural contexts in a transversal way through a series of video performances.