Inventariando memórias pela arte: entre afetos, objetos e fotografias

• Ano de defesa: 2020
• Autor(a) principal: Kuhn, Bruna
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Santa Maria; Brasil; Artes; UFSM; Programa de Pós-Graduação em Artes Visuais; Centro de Artes e Letras
• Palavras-chave em Português: Arte contemporânea; Arte e tecnologia; Fotografia; Memória; Inventário afetivo; Contemporary art; Art and technology; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://repositorio.ufsm.br/handle/1/25031

In this research in Visual Arts, an artistic production from personal experiences and memories is approached. For that purpose, I operate with the cataloging of affective objects, obtained in photographic records (of addresses and saved from childhood), which are imagetically unfolded by different means and processes. In this sense, the objective is to expand these memories to dialogue with other people and other memories, so that such objects can meet other affections and experiences. In this perspective, the research is constituted through Poiética (REY, 2002) and from the construction of thoughts from doing aiming at a perception of the process and an opening to experience it. In addition, in the elaboration of practical productions, emerges the idea of overlapping layers of images, evoking fading and forgetting and resonating work in different ways in this personal inventory. Since it is in the action of going back to old addresses, turning over cabinets and finding objects that the whole work process begins, in which photography becomes a potent means to carry out affective poetic production (SPINOZA, 2019). Finally, as a result of the research, I present a set of “seven” objects and images, which constitute the “Re (visit)” exhibition, which evokes my saved things and experienced affections and proposes to reflect on this theme in the field of Art.