(Res)significando o direito à cidade sustentável: os grafismos urbanos como parte integrante do patrimônio cultural brasileiro
Ano de defesa: | 2016 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Santa Maria
BR Direito UFSM Programa de Pós-Graduação em Direito |
Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | http://repositorio.ufsm.br/handle/1/6409 |
Resumo: | The purpose of this study, from a systemic-complex analysis, it was tranlate in what manner the urban graphics can be analyzed from the bias of the cultural manifestation, thus making part of Brazil's cultural heritage, thus creating a legitimate way to search for access sustainable city. Therefore, the work remains divided into three chapters. The first analyzed the evolution of the concept of cultural heritage in Brazil, analyzing the possibility of expanding its role to include various cultural events, like the urban graphics, passing by a critical lack of focused cultural policies for urban artwork. In the second chapter we sought, dialectically, analyze urban typefaces from the perspective of the anthropological and legal concept of culture and the Environmental Crimes Act, to finally bring the existing dialectics in taggers speech, graffiti artists and society, from the reading of the documentary Pixo and the documentary PixoAção. Finally, in the third chapter, we sought to examine the right concept to the city in line to the faceteds concept of sustainability and the reality of the city of Santa Maria, RS. |