Detalhes bibliográficos
Ano de defesa: |
2020 |
Autor(a) principal: |
Pinto, Jéssica Fernandes |
Orientador(a): |
Vasconcelos, Michele de Freitas Faria de |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
|
Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Não Informado pela instituição
|
Programa de Pós-Graduação: |
Pós-Graduação em Psicologia
|
Departamento: |
Não Informado pela instituição
|
País: |
Não Informado pela instituição
|
Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://ri.ufs.br/jspui/handle/riufs/15944
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Resumo: |
This essay-text is a work that proposes to narrate experiences of performance in the field of mental health from the articulation between: the intersection of clinic and art; the everyday life; the politics of narrativity. In this way, the concepts and experiences are presented through the fabrication of tales of everyday life, the contidianos, whose motto was in the possibility of aligning the gesture to the word. The strength is in, through the narrative, reinventing subjective and relational policies that produced bodies and health. These narratives are, therefore, present throughout the text, but containing four main short stories: "I mix the solids with my liquids", "To the condemnable customs", "The anchor of space", and "Tide-tide". Each tale, presents the experience of some encounter related to mental health care and to the act of writing itself. The writing was outlined from the question: what can be the strength of narratives that overflow in/of everyday life? What territories of occupation are possible through the intersection of art and clinic? With all this, we arrive at some indications of what it is necessary to pay attention to when working with health without losing sight of the permanence of the possibility of existing in distinct modes. |