Detalhes bibliográficos
Ano de defesa: |
2019 |
Autor(a) principal: |
Andrade, Carolline Acioli Oliveira |
Orientador(a): |
Antonio, Edna Maria Matos |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
|
Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Não Informado pela instituição
|
Programa de Pós-Graduação: |
Pós-Graduação em História
|
Departamento: |
Não Informado pela instituição
|
País: |
Não Informado pela instituição
|
Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://ri.ufs.br/jspui/handle/riufs/12531
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Resumo: |
This dissertation results from concerns about the apropriation of K-Pop by the North Korea state with the objective of ideological education. The object of our research constitutes in songs of the Moranbong Hill Orchestra, a female synphonic band whose performances and musical production contains an speech oriented to ideological formation, the legitimacy of the regime and the reaffirmation of a national identity founded in the Juche Idea. The study aimed to comprehend the relation between the State and the Art, which is based on the kimilsungism-kimjongilism, and which guides the several dimentions of the Democratic People’s Republic of Korea (DPRK) social order. For this, we analyzed official sources such as texts and speeches atributted to the presidents of the Kim dinasty, specially Kim Jong-Il; and non-officials, as the stories of desertors. Besides, we studied Confucio’s philosophy, because it is rooted in the culture and in the social relations of the country and had a relevant influence for the constitution of the Juche Idea. We utilized works about the North Korea originated from various areas and knowledges, among books, dissertations, articles and reports of international organization that helped us to compose the theoretical framework and enabled a more wide-ranging and complex view of the DPRK. Our theoretical framework was formed by the contribution of works from several areas, that allowed a more wide-ranging and complex view about DPRK, from studies of International Relations and History, Social Sciences and Musicology. Composing the theoretical axis, there are the concepts of ideology, power, representation and identities, based on the contribution of various authors – Foucault, Chartier, Castells, Zizek, Eagleton, Hobsbawn, etc. – and how they are operationalized in their political interactions with the Art, as so as their materializations in the social relations. Furthermore, the methodological proposes of D’Assunção and Tati formed our framework and allowed a deep exam of the Juche and of the songs selected for the analysis. Over this study, we focused on the pedagogical- ideological instrumentalization of the popular music in order to reaffirm the regime after the impacts of the 1990’s crisis, and the legitimacy of the kimilsungist-kimjongilist socialism before the new demands and challenges of the 21th century. |