Do teatro Elisabetano ao sertão do século XIX: a presença de Shakespeare em Inocência

• Ano de defesa: 2012
• Autor(a) principal: Gregório, Paulo Henrique da Silva
• Orientador(a): Camargo, Kátia Aily Franco de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Rio Grande do Norte
• Programa de Pós-Graduação: Programa de Pós-Graduação em Estudos da Linguagem
• Departamento: Linguística Aplicada; Literatura Comparada
• País: BR
• Palavras-chave em Português: Inocência; Visconde de Taunay; Shakespeare; Intertextualidade.
• Palavras-chave em Inglês: Inocência; Viscount of Taunay; Shakespeare; Intertextuality.
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
• Link de acesso: https://repositorio.ufrn.br/jspui/handle/123456789/16223

The Shakespearean theater is a result of the genius of this playwright alongside the material provided by the period in which they came out the Elizabethan Age. Most of his works bring up themes and elements which keep them up-to-date, arousing an ongoing interest of readers and theatergoers, and also serving as inspiration for other writers to create their own works. Taking these ideas into account, this work aims to bring up questions concerning the presence of Shakespeare in a nineteenth-century Brazilian novel, Inocência, by Viscount of Taunay. In this novel, Taunay makes references to this playwright, using some epigraphs taken from Romeo and Juliet, from which we seek to understand how the novel dialogues with this Shakespearean drama. In order to develop such a study, we take into account some theoretical assumptions of hypertextuality, as proposed by the French scholar Gerard Genette, whose ideas about the dialogue between literary works support the analysis of the relationship between Taunay s novel and the above-referenced play of Shakespeare.