Dançando às avessas: relatos de um processo de criação

• Ano de defesa: 2011
• Autor(a) principal: Silva, Sandro Souza
• Orientador(a): Alves, Teodora de Araújo
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Rio Grande do Norte
• Programa de Pós-Graduação: Programa de Pós-Graduação em Artes Cênicas
• Departamento: LINGUAGENS DA CENA E PEDAGOGIAS DA CENA
• País: BR
• Palavras-chave em Português: Arte de ator; Processos criativos; Corpo sem órgãos; Mítica hindu
• Palavras-chave em Inglês: Art of the actor; creative processes; body without organs; Hindu myths
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: https://repositorio.ufrn.br/jspui/handle/123456789/12445

The term body without organs is present in a poem by the french writer, actor and director Antonin Artaud, written in 1947 and titled: To Have Done with the Judgement of God. I aim, in this work, from what we call investigative scenic writing, to problematize this term and its possible relations with the theater and also with some aspects of the Hindu myths. I unite the idea of the body without organs with the body in trance present in the stories of an Indian master named Caitanya Mahaprabhu. These ideas, along with the development of practices that come from some principles of Theatre Anthropology, are incentives for a creation process that highlights the work of preparation and creation of corporeal work of the actor. The relationship between the concepts and the practice raise discussions about where I stand as an actor-researcher in process